Lew Crippen
Senior HTF Member
- Joined
- May 19, 2002
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Good update John—thanks!
The MPAA has always been on the side of the major studios. This is just another attempt to push aside the independent studios by denying them probably the best method of exposure they could hope for in the race for the Oscars. This new rule goes well with his rating system which is heavily biased towards the major studios and unfairly rates independent movies one level higher on the ratings scale.
Question: What advantage is there for any independent studio to belong to the MPAA? If the independent studios didn't belong to the MPAA, they could send out screeners, and Valenti would just be tying the hands of the majors.
Ban the Ban Protest Grows
With opposition to the MPAA's ban on Oscar screeners continuing to burgeon on Tuesday, the heads of the major studios reportedly scheduled a conference call with MPAA chief Jack Valenti for Thursday to discuss the controversy. In an ad appearing in Daily Variety today (Wednesday), the names of 350 industry figures are listed as signatories to a petition instigated by IFP (Independent Features Project) calling for the ban to be lifted and for the MPAA to consider "alternative solutions to curtailing piracy."
What did these groups do before the Academy started sending out screeners (only 15-20 years ago)?
The Academy doesn't send out screeners. The Academy has nothing to do with the ban.
The Academy doesn't send out screeners. The Academy has nothing to do with the ban.OK, I misspoke. The studios send out the screeners, the ban is the work of the MPAA, not AMPAS. And that's all immaterial to the question at hand. What did they do before the practice of sending screeners started??
What did they do before the practice of sending screeners started??I'd think that the L.A. Film Critics were able to see most of the movies up for consideration in the theater. Also, as in the case with the year they awarded Brazil best picture of the year, they could get private (even if unauthorized) screenings.
Few other critics groups and only a percentage of AMPAS members are that lucky.
My guess is that they're showing solidarity with the indies, showing their support of the groups who have already spoken out against the ban.
What happened before screeners were available?
A lot of smaller indie films got ignored come awards season. Screeners opened up the playing field. If you were Sissy Spacek living on a farm in Virginia, you wouldn't have to travel to New York just to see Secrets & Lies. If you were Clint Eastwood living in Carmel, you wouldn't have to travel to San Francisco to see Sling Blade. If you were Brad Pitt and were in Malta (or wherever) shooting Troy, you wouldn't have to fly back to LA to see Lost In Translation. If you were Vanessa Redgrave living in London, you wouldn't have to fly to America to see American Splendor.
Screeners are good. Only people who don't like the fact that smaller movies are a factor come awards time are against screeners. I don't buy the "piracy" excuse for one second.
What advantage is there for any independent studio to belong to the MPAA?Obtaining an MPAA rating (membership is not necessarily a requirement I believe) makes it easier to distribute and advertise your feature. If you don't have an MPAA rating, the movie theaters won't show the movie and the various media outlets won't advertise it. However, if your movie gets the dreded NC-17 rating, that's just as bad as not having it rated because neither the theaters nor the media will touch what's perceived by the MPAA as a "filthy" movie.
The MPAA has such a stranglehold on the American entertainment industry that they can dictate the preferred behaviour of their members and their affiliate companies. But as we've seen with this latest stunt involving the screeners, cracks are beginning to show.
hurray for the LAFCA, they just utterly destroyed any chance for a compromise on this issue
Pray tell, why should they "compromise" with an outfit that deliberately started the mess, with no consideration for anyone else, including, apparently, the major studios?
Pray tell, why should they "compromise" with an outfit that deliberately started the mess, with no consideration for anyone else, including, apparently, the major studios?I'm not sure what you mean here. Do you mean why should the LAFCA reach some sort of compromise with the MPAA? Because that's not what I was referring to at all.
The compromise I was referring to was the possibility of the MPAA letting screeners out on a limited or title by title basis, a solution more reasonable than a ban for everyone on everything. THe LAFCA's statement is the equivalent to threatening the studios, unless the studios want to appear under the power of the LAFCA they cannot change course now. The MPAA did consult the majors, however the executives in charge of the studios may not have given consideration to how important screeners are to the marketing campaign of their own films from their independent branches.