Oftentimes, films about afflicted individuals can stir one's emotions powerfully. Arthur Penn’s The Miracle Worker, for example, certainly ranks as one of the most masterful explorations of a handicapped individual coming to grips and then triumphing over an affliction. But just as The Miracle Worker allowed us to share vicariously in the defeats and triumphs of young Helen Keller as she emerged from the shadows of her impairment, so, too, does Jim Sheridan’s My Left Foot, the story of Irish writer and painter Christy Brown, grant us many moments in which to indulge in the protagonist’s triumphs both large and small.

Studio: Lionsgate
Distributed By: N/A
Video Resolution and Encode: 1080P/AVC
Aspect Ratio: 1.78:1
Audio: English 5.1 DTS-HDMA
Subtitles: English SDH, Spanish
Rating: R
Run Time: 1 Hr. 43 Min.
Package Includes: Blu-ray, UltraViolet
keep caseDisc Type: BD25 (single layer)
Region: ABC
Release Date: 01/13/2015
MSRP: $14.99
The Production Rating: 4.5/5
Having already seen Daniel Day-Lewis’ chameleon-like talent to transform himself utterly, everything from the street-wise Johnny in My Beautiful Launderette to the priggish Cecil Vyse in A Room with a View, his Christy Brown is nonetheless magnificent, an unforgettable film portrait of this tortured soul. Totally believable, down to the horrific spastic limbs and a speech impediment almost indecipherable, Day-Lewis burrows deep within the character and makes him truly come alive. Brenda Fricker makes the most of her moments as Christy's fiercely determined mother. Without resorting to a raised voice or obvious scenery chewing, Fricker is a marvelous presence, not only in her total support for her deformed son but also in assisting all of her children (and as a devout Catholic, she has many). Both actors earned Academy Awards for their performances, both richly deserved. They also won a host of various critics’ prizes for their work in the film. There are a couple of other interesting supporting performances. Hugh O'Conor plays the young Christy, and he’s a startling match for Daniel Day-Lewis (who takes over as Christy at age seventeen). Ray McAnally as the elder Brown plays him as a gruff but loving dad who comes to know his son after years of ignoring him. More important is Fiona Shaw as Christy's first real love interest. McCabe is a facial actress, and her countenance spells volumes of emotions as she sees Christy falling for her and knows she'll never be more than a loving friend to him. Ruth McCabe is the nurse Mary with whom Christy finally finds happiness, though the script by Shane Connaughton and director Jim Sheridan treats his falling for her rather too abruptly.
Because director Sheridan had a hand in fashioning the screenplay with Shane Connaughton, he gets to go backwards and forwards in time filling in the blanks of Christy’s early days as Brown waits to accept an award at a gala celebration of his work. But the script is sometimes not a smooth piece of writing, and it leaves some potentially dramatic situations unexplored. An illegitimate pregnancy, for instance, seems to be the catalyst for a lengthy subplot in the movie, but it's dropped like a hot potato quite soon after it's introduced. And one wishes that once Christy had bettered his speech, he could have found someone, a sibling or his mother, with whom he could express his longings and frustrations. He’s such a fascinating, mercurial character that one wishes he had been fleshed out even more in the script. Still, it’s a powerful film with two great performances at its core.
Video Rating: 3.5/5 3D Rating: NA
Audio Rating: 4/5
Special Features Rating: 3/5
An Inspirational Story: The Making of My Left Foot (10:21, SD): producer Neal Pearson, Irish scholar Scott Raston, writer Shane Connaughton, actor Hugh O’Conor, and critic Charles Champlin share opinions on the film’s production and reception including the pride they felt in their five unexpected Academy Award nominations.
Photo Gallery (13:49, HD): an annotated slideshow featuring stills and behind-the-scenes shots taken during the making of the movie.
Critical Reviews (HD): step-through text reviews of the critiques of four critics of the day: David Denby, Pauline Kael, Elvis Mitchell, and Charles Champlin.
Ultraviolet: code sheet enclosed
Overall Rating: 4/5
Reviewed By: Matt Hough
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