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- Ronald Epstein
Not necessarily.Isn't this just the same StudioCanal scan from 2017? Murder on the Orient Express
Isn't this just the same StudioCanal scan from 2017? Murder on the Orient Express
I'll probably stick with my British R2 blu ray import.
Oh, blast you Will Krupp.I DO like the Amsel inspired cover design and I'm very curious as to what this will look like.
KINO released the two later Ustinov theatrical films in the US but they were a mixed bag. DEATH ON THE NILE used a slightly better compression of the same transfer the StudioCanal 2017 4K scan used, but EVIL UNDER THE SUN (inexplicably) bypassed the SC 4K remaster and was the old 2013 (ish) transfer. It isn't good.
Paramount holds superior elements on ORIENT (witness the strong DVD Paramount released) and the first scan SC put out in 2013 was atrocious (including rebuilt English credits since they likely only held a foreign language element to work with.) The 2017 remaster was very good but we shall see what Paramount can do with the better elements in their posession.
BTW, I'm very happy with the second SC ititeration in Blu, but if it can even be better, I may have to bite.
It looks pretty damn good in my opinion, but then I never saw this in 35mm. Only in 16mm at a Syracuse University film society--somehow I never got around to seeing it in NYC--and though it looked good, it was a bit dark. For me, the 2nd SC Blu was a revelation. Then again, this opened at the Baronet, which was a very small house, only 350 seats as I recall. Paramount booked it in there, rather than the big house upstairs, the Coronet, which may have been 1000, or 750 anyway-- the brain, as well as the bones are getting old--because the geniuses in the Paramount booking office thought no one wanted to see it, so for the opening week there were huge lines snaking around the corner and almost reaching the 59th Street Bridge. (I remember this, for at the time I lived nearby.) The Coronet was booked for the next 6 months, as were the other big or even medium size houses in NYC, so they were stuck, and the film, in first run, did not realize its potential in terms of audiences. As someone, I forget who, said, when it comes to movies, nobody knows anything. Anyway, that's probably why I didn't see it first run, because of the lines.Sadly, we won't know until reviews come out, lol! Who knows? Maybe StudioCanal already accessed the Paramount elements in 2017 and that's as good as it gets? It's a fine release.
Then again, this opened at the Baronet, which was a very small house, only 350 seats as I recall. Paramount booked it in there, rather than the big house upstairs, the Coronet, which may have been 1000, or 750 anyway
Ah memories. I did a NY Times search for NYC ads and couldn't find them, and relied on a story a manager told me years later, clearly wrong. Guess I should have googled first before relying on that tale. Well, it was worth it just to see those old ads and those theaters which no longer exist.I don't mean to be rude, but it did open at the Coronet on Sunday, November 24th. The Night Porter was playing downstairs at the smaller theater. With advance reviews like these, they HAD to know it was going to hit.
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I understand the confusion, though, because they expanded the release about three weeks later (on December 18th) to include the mammoth 2,000 seat Loew's Astor Plaza on Broadway and, in doing so, also moved the picture out of its berth at the Coronet and into the smaller house. The premiere engagement of The Front Page took its place at the Coronet that same day
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They expanded the release again a week later (Christmas day) to theaters all over the metropolitan area:
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Ah memories. I did a NY Times search for NYC ads and couldn't find them
Brings back memories- I saw it at the Coronet the week after it openedI don't mean to be rude, but it did open at the Coronet on Sunday, November 24th. The Night Porter was playing downstairs at the smaller theater. With advance reviews like these, they HAD to know it was going to hit.
View attachment 121549
I understand the confusion, though, because they expanded the release about three weeks later (on December 18th) to include the mammoth 2,000 seat Loew's Astor Plaza on Broadway and, in doing so, also moved the picture out of its berth at the Coronet and into the smaller house. The premiere engagement of The Front Page took its place at the Coronet that same day
View attachment 121570
It opened wide a week later (Christmas day) to theaters "everywhere":
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Bergman deserves every award she ever got. One of the all time great stars and a personal favorite.What do you think about Bergman winning the Oscar? Deserved?