Carabimero
Senior HTF Member
I am going to record all the end title sequences and make a kind of soundtrack that way. Hardly definitive but better than nothing.Has an Atmos sound track.
I am going to record all the end title sequences and make a kind of soundtrack that way. Hardly definitive but better than nothing.Has an Atmos sound track.
The music is one thing that's really stood out for me with this show. It's a very old school way of scoring a show, in a good way. Very few shows have fully developed themes anymore, and most shows don't seem to want you to notice the music. Here, it's a very key part of the show's identity.I realize I am a soundtrack guy. I respond emotionally in terms of themes and texture changes. There's a moment in episode three when the main theme hits and I actually felt like I was a kid watching LOST IN SPACE again. Brought tears to my eyes.
Dr. Smith is the weak link for me so far, not because Parker Posey's doing a bad job -- she isn't -- but because they've done such a good job writing and casting the family that I just want to watch them Swiss Family Robinson it in space.Parker Posey is great. Every character has something meaningful to do and is getting development. I'm halfway through. I love this series. I hope other people love it, too. But my joy in loving it is, alas, enough for me
I think they're both terrific. One gets the sense that Judy, prior to the events of the pilot, was a bit of a Mary Sue, the perfect daughter who was good at everything. And then immediately when the show picks up, her first big heroic moment goes disastrously awry and the trauma from that lingers with her. There's also the fact that she's biracial in a family of pale redheads. Based on her interactions with both parents, and the fact that she seems to be kid who has taken her parent's estrangement and her father's long absence the hardest, I get the sense that she's Maureen's biological daughter from a previous relationship and John is the adoptive parent. I'm very interested in seeing where that father/daughter relationship goes, and when John can heal the divide between them.Ten minutes in and I’m already really disliking both the girls.
Yes, it was an elegant way to tip the hat to the original series, and address the gender swap for Dr. Smith. I believe the photo album Posey's "Smith" found at the crash site were photos of his real family, too.Also Bill Mumy’s cameo was pretty good.
I am going to record all the end title sequences and make a kind of soundtrack that way. Hardly definitive but better than nothing.
Has a link to download the soundtrack as well. (iTunes)
Lost in Space won for me until I was about ten. Then Star Trek took over. But LIS holds a very special place in my heart. The soundtrack to this new series is spectacular. I don't know how large the orchestra was, but it sounds theatrical (and I am responding to it that way). IMO this is easily Lennertz's best score.Lost in Space and Star Trek were part of my childhood, and Star Trek won for me.
Does the new show have more action?
Season two changed the premise from being stranded on the appropriately named episode, "Blast Off into Space". They had more off world adventures in the last two years. Things were still silly. Season three produced a very moody episode called "The Anti-Matter Man". A personal favorite.My chief problem was that the show should have been called “Lost on a soundstage stuck in the set of a very dull planet for an entire season”. The space adventures I had hoped for never materialized.
You have me wanting to get Netflix just to see this program! Well, you and a few others. That there are several comments that it's better than the New Trek series (which I don't particularly care for) makes it even more attractive. Up until now I've had absolutely no interest in Netflix so that's saying something...I have three answers to your question.
Yes.
Yes.
And Yes.
And the characters are all very smart.
This show restored my faith.