david hare
Supporting Actor
- Joined
- Aug 10, 2014
- Messages
- 683
- Real Name
- david hare
Here is a note on this - let's call it tragically missed opportunity. I am adding two screens, one of the image projected with native SDR and the first with HDR forced on playback for demonstration only (taken with an Ipad).
Received this today. The gamma is screwed up with no depth or black level. unforgivable and frankly amateurish. If only they had paid half the attention to the disc authoring as they did to the booklet this wouldn't have happened. The forced subs may or may not be licensor prescribed or just stupidity but it's another negative for people who can't manually dial them out of the frame like us. I am inclined to think the master is the same one as used by the Olive Signature BluRay encode back when, which i believe was done by Paramount (before they went nuts with grain removal) and I say this because the optical shots still show slight density variations reflecting the older master for the Olive. But that's not to say the encode here including basic grading, sharpness and grain is very respectable. But the Olive disc remains the only realistic option. I fiddled for an hour with luminance and other settings to no avail, and there is imply no true black or grayscale in the image now. Then I decided to force the playback (Epson TW8400 projector) into HDR and I got what was close to a decent gamma and much wider grayscale but of course it plays havoc with whites, which blow out, and grain management which becomes noisy and unwatchable. So this alas is not a solution either. I would not advise anyone to buy this disc, sadly.
Received this today. The gamma is screwed up with no depth or black level. unforgivable and frankly amateurish. If only they had paid half the attention to the disc authoring as they did to the booklet this wouldn't have happened. The forced subs may or may not be licensor prescribed or just stupidity but it's another negative for people who can't manually dial them out of the frame like us. I am inclined to think the master is the same one as used by the Olive Signature BluRay encode back when, which i believe was done by Paramount (before they went nuts with grain removal) and I say this because the optical shots still show slight density variations reflecting the older master for the Olive. But that's not to say the encode here including basic grading, sharpness and grain is very respectable. But the Olive disc remains the only realistic option. I fiddled for an hour with luminance and other settings to no avail, and there is imply no true black or grayscale in the image now. Then I decided to force the playback (Epson TW8400 projector) into HDR and I got what was close to a decent gamma and much wider grayscale but of course it plays havoc with whites, which blow out, and grain management which becomes noisy and unwatchable. So this alas is not a solution either. I would not advise anyone to buy this disc, sadly.
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