borisfw
Screenwriter
- Joined
- Mar 20, 2009
- Messages
- 1,825
- Real Name
- Frank
They used to play it on AMC back when AMC was a good channel . I seem to remember liking it. Can't wait for the Blu.
Frank S Nugent who as a columnist was a frustrated screenwriter who went on to write some great screenplays liked Anthony Quinn the best - one of Lamour's early films sounds like a fun watch!I've only seen it once via NY broadcast TV, two generations ago.
I've never seen it either.I'm looking forward to watching this movie for the very first time.
Thank you for that. It sounds like a film I'd enjoy.This was my capsule review of it:
Set in Madrid during the Spanish Civil War (1936-1939), the government is shutting down the railway line out of Madrid after the final evening train pulls out. In GRAND HOTEL style, a disparate group of characters, good and bad, rich and poor, desperately seek a spot on the train and for some it's a matter of life and death. They include an American journalist (Lew Ayres), an aristocrat (Dorothy Lamour), a deserting soldier (Robert Cummings), an Army Captain (Anthony Quinn), an escaped convict (Gilbert Roland), a Baroness (Karen Morley), a sleazy lounge lizard (Lee Bowman), a girl (Helen Mack) of ill repute and the daughter (Olympe Bradna) of an executed political prisoner. Directed by James P. Hogan, it's varied in its story lines, some are more interesting than others. Hogan manages to slowly build up the tension as you're rooting for your favorite people to make the train safely but wouldn't you know it, the one character I liked the most doesn't make it! It's a programmer and while it doesn't quite have the star line up of GRAND HOTEL or MURDER ON THE ORIENT EXPRESS, I found it quite engaging. The film features one of Anthony Quinn's rare good roles in the 1930s (he career didn't hit high gear until the 1950s) and Robert Cummings is as awful as ever. With Lionel Atwill and Henry Brandon and Alan Ladd is supposed to have a bit in here but I didn't catch him.
That's very interesting. What strikes me is that this is perhaps a missing link between Grand Hotel, where the cast were merely engaged in bourgie type activities, and the disaster film, where they had to contend with plane malfunctions, earthquakes, sinking ships, and fires.This was my capsule review of it:
Set in Madrid during the Spanish Civil War (1936-1939), the government is shutting down the railway line out of Madrid after the final evening train pulls out. In GRAND HOTEL style, a disparate group of characters, good and bad, rich and poor, desperately seek a spot on the train and for some it's a matter of life and death. They include an American journalist (Lew Ayres), an aristocrat (Dorothy Lamour), a deserting soldier (Robert Cummings), an Army Captain (Anthony Quinn), an escaped convict (Gilbert Roland), a Baroness (Karen Morley), a sleazy lounge lizard (Lee Bowman), a girl (Helen Mack) of ill repute and the daughter (Olympe Bradna) of an executed political prisoner. Directed by James P. Hogan, it's varied in its story lines, some are more interesting than others. Hogan manages to slowly build up the tension as you're rooting for your favorite people to make the train safely but wouldn't you know it, the one character I liked the most doesn't make it! It's a programmer and while it doesn't quite have the star line up of GRAND HOTEL or MURDER ON THE ORIENT EXPRESS, I found it quite engaging. The film features one of Anthony Quinn's rare good roles in the 1930s (he career didn't hit high gear until the 1950s) and Robert Cummings is as awful as ever. With Lionel Atwill and Henry Brandon and Alan Ladd is supposed to have a bit in here but I didn't catch him.
That clearly came from the NYT's reviewThat's very interesting. What strikes me is that this is perhaps a missing link between Grand Hotel, where the cast were merely engaged in bourgie type activities, and the disaster film, where they had to contend with plane malfunctions, earthquakes, sinking ships, and fires.
John Ford's resident scribe.Frank S Nugent who as a columnist was a frustrated screenwriter who went on to write some great screenplays liked Anthony Quinn the best - one of Lamour's early films sounds like a fun watch!
That's very interesting. What strikes me is that this is perhaps a missing link between Grand Hotel, where the cast were merely engaged in bourgie type activities, and the disaster film, where they had to contend with plane malfunctions, earthquakes, sinking ships, and fires.
Yes! More peplum please!Sunday's Facebook Announcement:
Coming Soon on Blu-ray & DVD!
Samson and the 7 Miracles of the World (1961) Starring Gordon Scott, Yôko Tani & Hélène Chanel - Riccardo Pallottini (Take a Hard Ride) – Directed by Riccardo Freda (Caltiki, the Immortal Monster).
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Can get rid of my MOD now.So it looks like everyone is excited about this release as I am.
Sunday's Facebook Announcement:
Coming Soon on Blu-ray & DVD!
Samson and the 7 Miracles of the World (1961) Starring Gordon Scott, Yôko Tani & Hélène Chanel - Riccardo Pallottini (Take a Hard Ride) – Directed by Riccardo Freda (Caltiki, the Immortal Monster).
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They usually are just like any b movie but that doesn't stop them from being fun.Eh. . . do you wonder if the poster is better than the movie?
--jthree
He also scored the Roger Corman Poe films and a few others at AIP.Music by Les Baxter, otherwise known for writing the Tiki Bar classic "Quiet Village," the hit recording by Martin Denny.
He also scored the Roger Corman Poe films and a few others at AIP.