I'm really looking forward! Thank you Kino!It's not our master, so I guess, they'll show the up-res one, till we give them and Universal access to our beautiful 2K master.I
I'm really looking forward! Thank you Kino!It's not our master, so I guess, they'll show the up-res one, till we give them and Universal access to our beautiful 2K master.I
unityofsaints said:
I have the set and it's excellent. Number Seventeen and Rich and Strange didn't come out in 2020, are they cancelled or just delayed?
Are these two masters still on track to arrive in the coming weeks? ThanksWe're hoping to receive both masters in August, but still no guarantees.
This is a little confusing, since Universal would have done the transfer and certainly owns the film. I'm sure you have a license to release on Blu-ray, but certainly Universal would have the right to license to Criterion for showing on their channel, which they surely have done. When you do these deals is it so that no one can use the new master for the duration of your license? That would at least make sense.It's not our master, so I guess, they'll show the up-res one, till we give them and Universal access to our beautiful 2K master.
Who says Universal did the transfer? Yes, they own the film and we need their permission to access to their film elements, but ALL new 2K and 4K transfers are paid for and overseen by us, not the studio. Yes, the master will eventually become their property, but not before the agreed upon exclusive window we've contractually asked for, which differs from deal to deal.This is a little confusing, since Universal would have done the transfer and certainly owns the film. I'm sure you have a license to release on Blu-ray, but certainly Universal would have the right to license to Criterion for showing on their channel, which they surely have done. When you do these deals is it so that no one can use the new master for the duration of your license? That would at least make sense.
I understand completely that you pay for and oversee the transfer, but I have never known a major studio to release an asset to an outside company. A digital file, sure, but not the actual elements. I guess things have loosened up in that regard. Looking forward to Freud very much.Who says Universal did the transfer? Yes, they own the film and we need their permission to access to their film elements, but ALL new 2K and 4K transfers are paid for and overseen by us, not the studio. Yes, the master will eventually become their property, but not before the agreed upon exclusive window we've contractually asked for, which differs from deal to deal.
In some cases, color grading and transfers are overseen by the director or cinematographer, but it's our responsibility to get in touch with them, not the studio's.
Regarding "Greedy", I never bought the current blu-ray because the reviews I've read all say the transfer looks horrible. Would LOVE to see Kino release this and give it a proper treatment.Yeah, these guys really look alike.
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Depends where the harvest is being performed. Could be on the lot. Much like WB, or delivered to an accredited, trusted post facility.I understand completely that you pay for and oversee the transfer, but I have never known a major studio to release an asset to an outside company. A digital file, sure, but not the actual elements. I guess things have loosened up in that regard. Looking forward to Freud very much.
They release the film elements to a mastering house we work with that is pre-approved by the studio. We're not going to the studio in a van and picking up the IPs or camera negatives.I understand completely that you pay for and oversee the transfer, but I have never known a major studio to release an asset to an outside company. A digital file, sure, but not the actual elements. I guess things have loosened up in that regard. Looking forward to Freud very much.
In one respect, this makes me want to cry… I bet there was a title in those “dozen or so” that I would have needed.They release the film elements to a mastering house we work with that is pre-approved by the studio. We're not going to the studio in a van and picking up the IPs or camera negatives.
Some studios, like Fox and Sony, oversee their own transfers and will not allow a third party label to handle their restorations. Disney would not let the negatives out of their sight, so they delivered us the raw 4K scans and we did the rest. Paramount, MGM, Universal, StudioCanal and others allow the third party labels to oversee the scanning and transfers, as long as the scanning is done at one of their pre-approved facilities.
We ended up dropping a dozen or so really cool Fox titles, since they had no plans of doing new transfers and would not allow us to oversee them.
Mr. insider, when you say about Fox and Sony, this means then that whatever they give you is what you can release… they won’t let you do any further restoration?They release the film elements to a mastering house we work with that is pre-approved by the studio. We're not going to the studio in a van and picking up the IPs or camera negatives.
Some studios, like Fox and Sony, oversee their own transfers and will not allow a third party label to handle their restorations. Disney would not let the negatives out of their sight, so they delivered us the raw 4K scans and we did the rest. Paramount, MGM, Universal, StudioCanal and others allow the third party labels to oversee the scanning and transfers, as long as the scanning is done at one of their pre-approved facilities.
We ended up dropping a dozen or so really cool Fox titles, since they had no plans of doing new transfers and would not allow us to oversee them.
Yes, we can only release masters created and approved by them.Mr. insider, when you say about Fox and Sony, this means then that whatever they give you is what you can release… they won’t let you do any further restoration?
Thank you!Yes, we can only release masters created and approved by them.
Coming October 19th!
https://www.kinolorber.com/product/change-of-habit-blu-ray
Change of Habit (1969)
• NEW Audio Commentary by Film Historians Howard S. Berger and Nathaniel Thompson
• Theatrical Trailer
• Optional English Subtitles
Color 93 Minutes 1.85:1 Rated G
After starring in a string of classic films like Jailhouse Rock, King Creole, Viva Las Vegas and Clambake, the iconic Elvis Presley changed his acting habit and made this unconventional late-’60s romance his Hollywood swan song. The King takes on a rare dramatic role as the young and handsome Dr. John Carpenter, who is assigned three female medical social workers to assist him at his inner-city clinic—but he doesn’t know that they are really nuns! Mary Tyler Moore (Thoroughly Modern Millie, What’s So Bad About Feeling Good?) is Sister Michelle, one of the nuns who takes off her habit—and takes off with Elvis’ heart! When love blossoms between the sweet, singing and swinging doctor and the demure, devoted nun, Michelle must decide whether to follow her heart or stay true to her vows. In this touching story that addresses social issues still relevant today, Elvis woos his love as only he can with unforgettable musical numbers like “Rubberneckin’,” “Let Us Pray” and “Change of Habit.” The wonderful supporting cast includes Barbara McNair (Stiletto), Ed Asner (The Satan Bug), Ruth McDevitt (TV’s Kolchak: The Night Stalker) and Richard Carlson (The Maze).
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