andrew markworthy
Senior HTF Member
- Joined
- Sep 30, 1999
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- 4,762
For someone who hasn't seen any of them, what do I need to know about them? Heard good things, but know nothing about the movies.The movies (by the late Krzysztof Kieslowski) can be seen individiually, but make way more sense if seen as a trilogy *in the right order*.
The movies deal with the three central concepts of the French Revolution - liberty, equality, and fraternity, symbolised by the three colours of the French flag - blue, white and red. You should see the movies in this order.
Blue, set in and around Paris, examines a thirty-something widow in the months after her husband and young daughter are killed in a car crash. She comes to terms with her loss, discovers that her husband wasn't all he seemed, and comes to understand what she needs to become free.
White begins in Paris, with a Polish man being divorced by his French wife. With no money and out of luck, he meets another Pole, who arranges to smuggle him back to Poland. There he begins to plot revenge on his wife (and to tell you any more would spoil the plot).
Red, set in Switzerland, concerns an unlikely friendship between a young woman and a curmudgeonly retired judge who spends his days illegally evesdropping on his neighbour's phone conversations. At the end there is a scene that brings together the central characters of all three films, and retrospectively explains why the characters have been followed through the three movies.
The movies are complex and repay watching several times (e.g. there are references to the other movies within each other that inevitably you don't see the first time round). A bare bones description of the plots makes them sound rather gloomy, but they are not. The ultimate message is the paramount importance of love and kindness and you are left with a feeling of compassion for the characters rather than an artificial 'feel good' emotion so frequently generated in Hollywood products.
One final thing - the trilogy is generally regarded by critics as one of the jewels in the crown of European cinema.