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- Josh Steinberg
It may help to put this cut in context. A narrative has developed recently, one which I do not believe to be entirely true, and is contradictory towards the original reporting.
Snyder went into production on Justice League, but as production was in full swing and material was being assembled, it was reported at that time that the film was not coming together the way both Warner and Snyder had hoped. By mutual agreement, it was reported, production was shut down because all involved agreed that shooting the script pages that weren’t working wasn’t productive. It was reported at the time that Whedon was brought on, at Snyder’s invitation and with his full endorsement, to create new script pages that would address the problems Snyder and Warner agreed existed, and that Snyder would then shoot those pages to complete the film. While Whedon was writing, Snyder experienced a terrible family tragedy, and quite understandably was not able to continue. The logical move, as agreed by all parties and reported on at the time, was to have Whedon direct the pages he had written for Snyder, since Whedon was both familiar with the material and experienced at directing tentpoles.
This idea that Snyder had the film taken away from him has never been supported by the available evidence. Nor has the evidence ever supported the supposition that Snyder delivered a finished film that Warner then rejected. While more and different material exists than what was in the theatrical cut, that material came from a script and a shoot that by all contemporary accounts was not working.
I am sure that Snyder will stitch together something that’s watchable. It may or may not be better than what we’ve already seen. But I think this notion that Snyder created a fully formed masterpiece and had it taken away from him by people who didn’t understand his vision is not supported by the reporting.
Snyder went into production on Justice League, but as production was in full swing and material was being assembled, it was reported at that time that the film was not coming together the way both Warner and Snyder had hoped. By mutual agreement, it was reported, production was shut down because all involved agreed that shooting the script pages that weren’t working wasn’t productive. It was reported at the time that Whedon was brought on, at Snyder’s invitation and with his full endorsement, to create new script pages that would address the problems Snyder and Warner agreed existed, and that Snyder would then shoot those pages to complete the film. While Whedon was writing, Snyder experienced a terrible family tragedy, and quite understandably was not able to continue. The logical move, as agreed by all parties and reported on at the time, was to have Whedon direct the pages he had written for Snyder, since Whedon was both familiar with the material and experienced at directing tentpoles.
This idea that Snyder had the film taken away from him has never been supported by the available evidence. Nor has the evidence ever supported the supposition that Snyder delivered a finished film that Warner then rejected. While more and different material exists than what was in the theatrical cut, that material came from a script and a shoot that by all contemporary accounts was not working.
I am sure that Snyder will stitch together something that’s watchable. It may or may not be better than what we’ve already seen. But I think this notion that Snyder created a fully formed masterpiece and had it taken away from him by people who didn’t understand his vision is not supported by the reporting.