Senior HTF Member
- Nov 16, 2006
- Real Name
- Douglas Monce
This is not unusual. Look at the extras on the Terminator 2 Ultimate Edition. There is a segment on how the film was composed for every shot using the super 35 frame. They frequently zoom in on the image, zoom out, change the framing from the left to the right side of the frame. This is done not only with the 2.35 extraction but also with the 1.33 "full frame" version. Almost never does the 1.33 version actually use the full frame. In fact the full frame version moves around a lot more than the 2.35 version does.
Of course super 35 is a different animal than a film shot scope. But the point is it’s not uncommon for the filmmakers to push in on an image or change the composition completely in post production.