Does Dogma 95 say anything about the OAR the movie has to be in to be certified?Yes, one of the Dogme 95 stipulations is that the movie must be in Academy ratio (1.37:1), though, for obvious reasons, the films are not usually projected in this ratio.
It's also not clear that the film must be in this ratio in order to be certified, just as films need not follow all of the other rules in order to be certified. For example, Julien Donkey-Boy is a certified Dogme feature, but it has an aspect ratio of 1.78:1 and, as I recall, breaks a number of the other rules.
Part of the Dogme process involves "confessing" your sins (rules that you broke), which seems to fit pretty well with the whole pranky nature (which is not to imply that the movies aren't serious or good) of the movement.
At any rate, 1.37:1 for Italian for Beginners sounds like it is correct.
For example, Julien Donkey-Boy is a certified Dogme feature, but it has an aspect ratio of 1.78:1 and, as I recall, breaks a number of the other rules.Actually the DP for julien donkey-boy says it was composed for 1.37:1 but they ended up cropping it because the Venice Film Festival organizers wanted a widescreen print.
but the dvd is 1.55:1That is a MARed DVD for sure -- no movie theater in the universe will show that AR. Besides, IIRC, Italian was shot on video, which pretty much means it was either 1.78:1 or 1.33:1, take your pick...
Ted
Well, IMDB may say it's 1.37:1
but the dvd is 1.55:1In which case, the difference is resolution would be neligible and the point is moot anyway.
So far as Dogme '95 rules, they are made to be broken -- if it is one of their friends, it'll get certified.More like "if they put up the money, it'll get certified." I read an interview with one of the four original founders where they openly admitted that they don't even screen the submitted films anymore -- if they pay for the certificate they'll get it. They justified it with some spiel about "handing control back to the filmmakers" or something like that.
I can't say how it was shown in the US, but anything other than SA is a mistakeWhen I saw it at a commercial arthouse venue, it was projected at 1.85:1.
M.
When I saw it at a commercial arthouse venue, it was projected at 1.85:1.I'm no expert, but my understanding is that few theaters in the U.S. can handle 1.37:1 and most can only do 2.40:1 (or 2.35:1, I'm not certain which) or 1.85:1. Even if the theater in question could handle 1.37:1 Miramax probably instructed projectionists to matte it down to 1.85:1 just to simplify things.