DaViD Boulet
Senior HTF Member
- Joined
- Feb 24, 1999
- Messages
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SINCITY
Studio:DIMENSION Home Video Year:2005 RunTime:126 minutes Aspect Ratio:16 x 9 encoded 1.85:1 (OAR) Audio:5.1 DTS English, 5.1 DD English, French Subtitles:English, Spanish SpecialFeatures:Behind-the-scenes feature ReleaseDate:August 16, 2005
Feature...
Dark and daunting. Director Robert Rodriguez does an outstanding and faithful job of bringing Frank Miller's comics to the big screen. Those who've already formed an attachment to those stories and their accompanying artwork will have an easier time grappling with Rodriguez's vision. The uninitiated will likely find this film uncomfortable, jarring, and problematic, though I don't mean that to discourage anyone from taking on the challenge--I only intend to help set realistic expectations.
Sin City is really a series of loosely connected stories that deal with a hyper-grotesque world defined by violence, corruption, and erotic aggression. You'll easily make associations with films like Kill Bill and Pulp Fiction--films that make their mark, in part, by capitalizing on a kind of exacerbated violence that creates a strange push-pull with the emotions of the viewer...moving back and forth between disgust and macabre fascination. However, unlike those films which could be relished by an audience not having any prior relationship to the subject matter, Sin City requires the viewer to come to the experience prepared. My strongest criticism of Sin City as a "movie" is that on its own, it was not able to create characterizations that engaged me fully, nor did it weave together a story that took me to a destination I was able to clearly discern. The effect of a novice viewer is that most of the 126 minute ride seems to be some strange acting-out of a naughty 14-year-old-boy's sexual fantasies...an imagination that both erotically charges him and then causes him to punish his own lusts by instantiating villains who are ritualistically disemboweled for their sexual crimes. However, like all art, the experience is a collaboration between artist, medium, and audience, and it's not hard to imagine how radically different someone else's experience might be--or even how a repeated viewing might result in an entirely different perspective.
Sin City is visually a masterpiece. Breathtakingly filmed and edited, with a seamless blend of live and CGI imagery woven together in flawless accord. Black and White photography is highlighted with color accents reminiscent of early 19th Century hand-painted film cells. Black and white is black and white...there is no hint of sepia tones. Grotesque urban city-scapes, 1950's automobile chase sequences, and leather-clad street walkers assimilate into surreal blend that creates its own context...both in time and in place.
Those who don't know anything about Sin City but have been curiously taking notice from the side-lines, if you were able to accept and enjoy the violent visual language of Kill Bill and Pulp Fiction then Sin City may offer you a worthwhile adventure. Those who's loyalty to the comic is already in place are likely to appreciate Robert Rodriguez's efforts to a greater degree. This is a film sure to spark an abundant diversity of opinions. Please share your own and discuss respectfully.
Picture...
Spectacular. Breathtaking. Stunningly pure.
Dimension Home Video often bests Miramax-branded DVDs in overall picture quality and this is no exception. While perhaps lacking the finest level of resolution of "reference perfect" DVDs like Warner Brother's last Matrix-series efforts, Sin City is a DVD that will impress...even on a wide-angle system like a 100" screen. Fine-object detail is excellent for a Disney DVD, and I was amazed at how well the image looked projected on a 106" screen. Both fore and mid-ground details are well preserved and never when viewing my 106" image (the first film viewed in my HT since my move into my new house) from my approximately 1.6 screen-widths distance did I feel like I was missing something. Often at this scale, "average" DVDs cause you to try to "focus" to see detail that's been removed during mastering. In the case of Sin City, the image is smooth, crisp, and loaded with natural detail that produced a genuinely oustanding image that had that "near-HD" sensation you get from the best DVDs.
The image also seemed free from the digital haze that sometimes obscures otherwise stellar film-to-tape transfers. The overall visual quality was one that was not over-processed, and the film-like results were graceful, natural, and relaxingly "analog-like" in feel. My use of "film-like" and "analog" is a bit paradoxical, because it appears to my eyes that this DVD has been entirely sourced from native digital image files...there is no hint of film-grain or any other "film" artifact to be seen. However, what I mean to communicate by the "analog" feel is the natural smoothness to the image, the sense of depth, and absent fog of subsequent digital processing often mistakenly carried out in the name of "improvement" with images that would have fared better simply left alone. This is one of the key signatures of a good DVD mastering job...allowing the natural "film-like grace" and ease to come through without the image taking on a harsh or processed look. Sin city succeeds! The image is smooth smooth smooth. As good as it looked on my DLP projector in 720P, I'm sure it would look even more spectacular on my friend's JVC properly scaled to 1080 progressive.
But perhaps the most praiseworthy aspect of the video is the black level and grayscale tracking, both of which are utterly perfect. The image intentionally has "pumped" black and white extremes...this is not the fault of mastering...it's part of the "film noir" look that the director is trying to convey. Amazingly, the digital mastering has been able to accomplish this without the black and white extremes feeling crushed...the shadow detail is still there. This is VERY impressive folks, and the smooth gradations of gray-tones in between give the image a strong sense of dynamic range. Black level is just rock-solid and whites are bold and cut like a knife without getting overblown. If I could make an audio analogy...imagine starting off with a "flat" frequency response and then pressing the "loudness" button on your stereo to boost the bass and the treble. That's the effect you're seeing in the image, and this DVD does it completely distortion-free. Bravo.
You haven't heard me comment on edge-ringing and that's because I didn’t' see any to comment about from my 1.6 screen-widths distance. It's possible that closer inspection might reveal the slightest occasional edge-halo, but DVD has no right to be judged closer than 1.5 screen-widths away and I can assure you that my picky eyes found nothing at all to take issue with from what is a VERY generously wide viewing angle with my 106" screen.
The only problem with the video that I did see was in a few all-black with all-white silhouette sequences...where there seemed to be a pixelly/grainy appearance to the contoured edge of the white shadow-images (HTF member Jeff Swearingen screened this disc with me and we both noticed this single anomoly). However, given the specific context of this artifact, I'm convinced that it's in the source material and not a fault of DVD mastering (as it would have appeared elsewhere as well rather than limiting itself to this one and only situation). This is truly a reference-worthy image and I'm sure the fans of the film will be thrilled.
HTF Member John Williamson writes:
Quote:
I saw this film twice in the theater and was hypnotized both times, drawn in and convinced that I was in that dank, dirty and violent world being presented to me, and I was very concerned that the eventual dvd would not be able to capture that.
Well, here it is some months later and I picked it up today and my father and I just finished watching it on my 96" screen utilizing the DTS track...the experience survived the transition to the home intact! I was every bit as drawn in and hypnotized tonight as I was in the theater.
As David points out, the transfer is gorgeous, low rez shmo rez, this dvd is an awesome representation of the film and I would urge any fan of the film to pick it up, if not for the meantime until the SE. I don't get hung up on double dipping, when the SE comes out i'll getit and then dump this one on ebay and make almost all of my money back, so I lose nothing, really.
Fantastic film, and i'm relieved that my fears weren't realized, they easily could have gotten this dvd wrong, thankfully they didn't and Sin City rocks as hard and kicks as much ass in my HT as it did at the cinema!
Picture Quality: 5 / 5
:star: :star: :star: :star: :star:
Rating Rationale...
In the past I think I've been too ambiguous with my scoring or at least haven't applied it consistently from title to title, so I've endeavored to define my rating system more clearly to help make the scoring more meaningful (for all titles reviewed December 2004 and later):
Rating Key:
SCORE Description 1-2 An absolute abomination. Hurts to watch. Think "Outland" (scan-line aliasing, chroma noise, dotcrawl)-- truly horrid. 2-3 Has some serious problems, but one can at least watch it without getting a headache despite all the problems though you might try to talk your guests into picking a different movie to watch if you have a large projection screen. Think Cold Mountain. 3-4 Good or at least "acceptable" on a big-screen, but not winning any awards and definitely room for improvement if you view the image wide-angle (though smaller-screen viewers may be quite content). Think the first extended cut of Fellowship of the Ring...decent picture but still some HF filtering and some edge-halos. 4-5 A reference picture that really makes the most of the DVD medium and shows extraordinary transparency to the film-source elements. Non-videophile observers can't help but remark "WOW". Think The Empire Strikes Back or the Fifth Element Superbit (full “5” would be sans EE).
Sound...
Someone saw fit to provide the audiophile DVD collector with both 5.1 DD and 5.1 DTS audio options. The two tracks are very similar in level and overall presentation, and the viewer can conveniently toggle back/forth between them by simply pressing the audio button on the DVD remote. I definitely heard differences between the two tracks, and I'll share my impression with you while at the same time stating that I can understand why the "which one is better" debate in this case is a bit subjective. The DTS track clearly excelled to my ears in terms of low-level detail and that sense of "acoustic space" that painted a palpable 3-dimensional soundscape with unrestricted left/right/front/back imaging and sonic decay. This was most clear on the low-level background instrumentation during much of the dialog...the tone and presence of the musical instruments just felt more "real" with more musical nuance and detail. However, the vocals on the DTS track tended to sound a bit more "nasally" on my system...which to some might come across as "tinny" or too sharp sounding. While voices were smoother on the DTS track, this nasal quality sometimes gave sharp s-sounds an almost sibilant character that could be grating if your system is very forward-sounding or emphasizes the treble.
The 5.1 DD track was exemplary...and only a few paces behind the DTS in terms of musical nuance (which is usually what I hear in cases like this). However, though the DTS vocals sounded "rounder", the vocals on the DD track were easier to listen to...they sounded less grating and more laid-back. Whether this has something to do with dialog normalization, mixing practices, or just differences between the codecs I have no clue. Just reporting what I hear. If you find the vocals irritating in any way with the DTS track I encourage you to switch to the Dolby Digital and see what you hear.
Both audio tracks kicked major-bass-but and the DD track may have also edged the DTS slightly in this regard. The audio has an extreme sense of impact, the "thuds!" and "bangs!" of punches and gunshots will leave you pale with fear...this is not a film to play loudly if you have neighbors downstairs (being the first disc screened in the basement HT room of my new home, I took particular delight revelling in unrestricted volume levels
The surround channels are also satisfyingly active without drawing attention to themselves or becoming a "surround sound" salesman-demo event. What this means is that you're enveloped into a 360 degree sound field without finding yourself distracted by gimmicky noises hitting you like popcorn from behind. The DTS may have blended the full 5.1 configuration into a slightly more seamless soundfield, but both the DTS and DD tracks do an astonishing job of "losing you" into a sea of sound that is used to dramatic affect to compliment the on-screen action. Sin City is just as much about the sound mix and presentation as it is about the stunning visuals and imagery. If you can't watch this film on a proper 5.1 set up, then just like if you tried to watch it P/S on a 19" TV, you're not really watching the movie the director wanted you to see. At the very least, you're not getting the experience that he wanted you to get. If you've been toying with the idea of upgrading to a 5.1 system or getting that new timbre-matched center channel or sub and you love this movie, friend, your rationale has just been offered.
Sound Quality: 4.5 / 5
:star: :star: :star: :star:
Special Features...
Sadly, this bare-bones DVD presentation, while being no slouch in the A/V quality department, is pretty shy on bonus material. This is especially sad given that most folks who will want to own and watch this feature will be fans of the film who would most-want coveted bonus material content. I don't mean to dampen your spirits when I tell you that you've got one whopping bonus feature...the typical making-of featurette where cast and crew talk about the movie and how "amazing" it was to be part of it and how much they "loved" working on it etc. etc. etc. Nothing to toss out, and every fan will want to watch it, but it's not going satisfy the hard-core fan base and it would have been so nice to have at least had a director's commentary track and a few deleted scenes. Nevertheless, let us not forget the absolutely STELLAR picture and sound quality...and I'll just try to tell myself that the decision to forego the extras was in an effort to deliver a no-compromised AV experience. I'll just keep telling myself that. Still not believing it but I'll keep trying...
All Together...
You'll love it or you'll hate it. And it's easy to understand why folks could feel so strongly at either extreme. Those of you who haven't seen it and are trying to decide on a purchase or rental, let your affinity for Kill Bill and Pulp Fiction be your guide. Sin City is a fascinating film, and any fan of the comic or this film will be delighted with the fantastic picture and audio quality brought to you on this DVD. Picture is among the best I've ever seen from a Disney DVD which is particularly fitting for this film given it's strong visual language which relies on both powerful and subtle use of the canvas. Audio is equally impressive, and the option of both a 5.1 Dolby Digital and DTS mix is an unexpected and welcome feature. In fact, the only room for criticism of this DVD presentation is in the lack of any real special feature content. And while I sympathize with the fan base that will be disappointed by the lack of bonus material, I encourage every fan to look beyond that omission given the tremendous AV mastering.
As always, your comments and discussion are welcome and encouraged.
Enjoy.
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