- Joined
- Jul 3, 1997
- Messages
- 66,774
- Real Name
- Ronald Epstein
SUPERBITS COLLECTION
One of the biggest unresolved arguments amongst
DVD enthusiasts these days is whether Columbia's
new line of Superbit DVDs are really better
than the original releases or just a gimmick to
get consumers to repurchase titles already available.
The premise is that these new Superbit
releases are recorded at a bitrate at almost double
of what normal DVDs are recorded at, thus, resulting
in superior picture quality. Extra Features are
removed from these releases to allow more available
bandwidth in which to record the movie.
I have been wanting to do a review on the
Superbit titles since they first appeared
over a month ago, but Columbia only recently shipped
me the collection to look at and compare.
My initial reaction to hearing about Columbia's
SUPERBIT releases was WHY? Almost
any major current DVD title I purchase boasts a
gorgeous video and audio transfer. Take a look at
some of the stuff coming from Fox, Dreamworks and
even Columbia. The transfers are dazzling within
themselves. Since I have a new DVD player, I have been
unable to find the bitrate display to accurately see
what these new Superbit DVDs are recorded at,
but most standard DVD bitrates hover in the 5-7 range,
which isn't too far off from (what I am guessing)
is the 10 range that Superbits is recorded
at. I can't see why there is all this hype.
I took a look and compared a few of the Superbit
titles that I already had standards of in my
collection. Comparing the standard and Superbit
versions were not especially easy. I didn't have
identical players sitting side-by-side that I could
easily compare at a moment's notice. I had to
actually look at a few moments of a particular scene
on one disc -- eject -- and then sit and wait till
the other disc loads. That amount of time where your
eyes leave the screen in order to compare pictures
is not exactly a plus for doing accurate comparison.
First up was Air Force One. I first looked
at Chapter 2, which starts off with a night assault
on an Embassy. On the standard DVD, the scene is
dark, and you can immediately see a lot of grain
in the picture. I had hoped that the Superbit
version would have cleaned it up, but alas, it
looked exactly the same. I then looked at Chapter
three, where Harrison Ford is talking to a delegation
during dinner. Though a member on this forum swears
that there is more detail in the faces of the people
at the tables, I saw no improvement whatsoever.
Next, I popped in the standard DVD edition of
Crouching Tiger Hidden Dragon, which by all
means is one of Columbia's best transfers. I went
to Chapter 19 where we watch a procession carrying
Princess Jade. It's a beautiful scene to look at,
because you have so much vibrant red color in the
flags and costumes offset by the deep blue sky.
The standard DVD edition shows all this off without
flaw. When I popped in the Superbit DVD, I
saw absolutely no difference in the picture quality.
The Fifth Element standard DVD is still
considered amongst videophiles to be a demo quality
disc. It would be hard to imagine that this could
be improved upon in any way. I also have read that
many people couldn't see much difference in the
Superbit version. Surprisingly, I did, though
it was subtle. The picture is noticeably a bit
cleaner on this disc. Check out Chapter 11 where
Leloo falls from the building, through layers
of traffic, into Bruce Willis's taxicab. The picture
is slightly cleaner and more vibrant. Even more
noticeable, is the DTS audio where the rear effects
of honking traffic is more distinguished. Skip
ahead two chapters and look at Bruce Willis kissing
Leloo. The picture is slightly sharper and more
vibrant -- noticeably the yellow in Willis's T-shirt
and the orange of Leloo's hair. I must stress,
however, the differences are subtle, and I was going
out of my way to look for improvement.
I have never seen Desperado nor owned the
original DVD. I had nothing to compare it to.
However, from what I have been reading, THIS is the
Superbit DVD that looks noticeably better
than the original release. I popped the disc in and
took a look at the opening credits which had deep
beautiful red lettering against Banderes strumming
his guitar. Picture looked beautiful. I then
skipped ahead to Chapter 11, and looked at a black
automobile coming through the gates into a courtyard
that is colored in reddish/orange/brown. The
colors and picture clarity look stunning. I would
love to have seen what the original disc looked
like, but this disc certainly looks sensational.
My Final Thoughts
I don't quite understand why there was a need
for Superbits DVD, when Columbia Pictures
is one of the leaders (if not THE leader) in
consistently releasing gorgeous transfers that
outshine everyone else. I mean, this studio has
been doing hi-def transfers long before anyone.
I can buy most any new release from a major studio
and see transfer quality that is just as impressive.
In order to make a Superbit title, the
extras are removed. This means that not only are
there no trailers, commentaries or extras, but
even the menu system has been reduced to a very
plain, industrial-like page.
That being said, I would probably buy a Superbit
over the same title being released with extras.
Why? Because one, I don't even watch or listen to
all the extra material and, two, I found that the
DTS mixes on these discs are more active than their
Dolby Digital counterparts.
If you already own any of the Superbit
offerings on standard DVD, I would not reccomend
buying the title again. The difference in picture
quality is just not an eye-opening difference. The
average joe six-pack wouldn't even notice it. I
think most of us notice it because we know we are
supposed to look for it. Keep your standard Columbia
editions -- they already look sensational and still
remain Demo quality.
On the other hand, if I didn't own a particular
title and saw both the plain vanilla SUPERBITS
and the chock-full-of-extras STANDARD edition on
a shelve, I would pick the SUPERBIT, knowing
I was getting even a slightly more improved video
and DTS audio experience.
Folks, we all "ooh" and "aaah" over just about
every new and catalog release coming out from all
the major studios. Selling a concept of superior
picture quality based upon bringing up the bitrate
a few notches, is nothing that's going to revolutionize
the DVD industry when you have standard DVD transfers
like Planet Of The Apes, Driven, and
Shrek that are setting their own transfer
benchmarks without the highest bitrate setting.
This is an argument that will continue to be
debated. Some see the difference, some do not.
I wasn't particularly impressed -- but yet -- I'll
be looking forward to Bram Stoker's Dracula
------------------
Ronald Epstein (pronounced like the English "Ronald Epstein")
Circa 2000
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