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DVD Review HTF REVIEW: "An Affair to Remember" (with screenshots) (1 Viewer)

Ronald Epstein

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An Affair to Remember





Studio: Twentieth Century Fox
Year: 1957
Rated: NR
Film Length: 119 minutes
Aspect Ratio: 16X9 Enhanced Widescreen (2.35:1)
Subtitles: English and Spanish




"If you can paint, I can walk!

What woman out there can resist a romantic story
about a prince charming who comes along and sweeps
a woman off her feet? Obviously not that many,
as An Affair to Remember has been regarded
as one of the greatest love stories ever told. And
it's no wonder -- the film is perfectly cast with
the suave and dashing Cary Grant and the distinctly
feminine Deborah Kerr who is just stunning to watch.

Having never seen this film before, I did a little
background research and was startled to find that
this 1957 film was not only directed by Marx
Brothers veteran Leo McCarey (Duck Soup), but was
a scene-by-scene remake of his 1939 film, Love
Affair
.



Grant plays a playboy and one-time artist, Nickie
Ferrante, who is engaged to marry a wealthy socialite.
Kerr plays a one-time singer, Terry McKay, who is
engaged to marry a wealthy businessman. They meet
aboard a cruise ship and instantly fall in love
with each other. With the cruise coming to an end
and former lovers to return to, the couple decide
to test their commitment with both promising that if
they are still in love with each other after 6 months
they will meet at the top of the Empire State Building.



For those who have yet to see this film, I won't
ruin the rest of the story for you. Let's just say
this is classic story of a love that labors horrible
odds and ends up wonderfully complete. Though the movie
does pour on a lot of saccharin (and singing children
to boot), I found myself immensely enjoying this film.
One of my favorite scenes involves Nicky's Grandmother
(played by Cathleen Nesbitt), whom Terry and Nicky
visit at her lovely villa during the ship’s stopover.
It is in these heartwarming moments that we begin to
see their relationship come together for the very
first time.

How is the transfer?


This is the second release of this film to the format,
and fortunately Fox has gotten it right the second
time finally releasing this CinemaScope picture in
anamorphic. Originally, I had thought this film was
released in Technicolor as it has that sort of
ultra-colorish look to it. I was shocked to find
out that it indeed wasn't. The quality of the
print is in immaculate condition with colors that
look very clean, although some of the colors
occasionally came across as being oversaturated,
and there's a slight green tinge that resides in
some of the background whites. Many of skyline
shots in the film exhibit an abundant amount noise.
All in all, I would rate this transfer as above
average.

The film's stereo soundtrack comes across with a
good amount of fidelity and wide dynamic range,
especially during the film's musical numbers. There
is no evidence of any background hiss to be found.


Special Features



A feature-length commentary by film historian
Joseph McBride and singer Marni Nixon (who sang for
Deborah Kerr in the film) is a nice listen, despite
the fact that the contributions here were recorded
separately. McBride begins by talking about Leo
McCarey's involvement in the anti-Communist cause
during the 1950s. Nixon talks about her close
relationship with actress Kerr starting with The
King and I
made just a few years earlier. Doing
voice-over work on this picture was a bit difficult
for Nixon as she was under contract with NBC and it
put a damper on her schedule. Fortunately, Fox was
able to work around her schedule and allowed the
singer to lay out the voice work first before Deborah
Kerr lip-synched to it. Nixon also dubbed her
performance in 4 additional foreign languages.
McBride talks about the reasons why Leo McCarey
opted to remake his 1939 film and perhaps they can
best be explained in three words: Color, CinemaScope
and Cary Grant. Throughout the film, McBride talks
fondly about Cary Grant, a man who in 1967 retired
while still at the top of his game, and until his
death in 1986 remained humorous towards his own
screen persona. There's a funny story that Nixon
tells about her attempt to sing the Irish song,
How do you get to Tomorrow land. Though she
sang it quite well, she mistakenly did it with a
Scottish accent. With a little further coaching on
the dialect, she managed to nail the song just right.
McBride dominates this commentary, and I loved the
fact that he stayed with each scene, talking about
things that were happening at the moment, giving us
as much background information as he can about the
actors and the characters they portray. He also
provides a nice bit of history, comparing the style
of this film to those from past decades. Anyone that
is looking for a little FILM 101 will certainly be in
tune to this terrific commentary.



Backstory: An Affair to Remember is another
one of those AMC channel specials that promises to
reveal scandalous details about the lives behind the
stars of feature film. In this documentary we learn
about how insecure a person Cary Grant really was,
and his obsession with actress Sophia Loren around
the time An Affair To Remember was being
produced. It's interesting to learn that Ingrid
Bergman was the original choice for the role of
Terry McKay, but when she turned it down, the role
landed in the lap of Deborah Kerr. Both Cary Grant
and Deborah Kerr got along wonderfully on this
production, and the two began improvising their
scenes, adding a soft of subtle comic flavor to
the film in the process. We learn about the
troubled relationships of both actors as well as
how Cary Grant came to experiment with LSD. Also
of interest is how much influence this film has
had on women over the years, something which is
humorously touched upon in 1993's Sleepless In
Seattle
. Big on emotion and not as scandalous
as I had thought it would be, this featurette is
certainly worth a watch.
(length: approx. 24 minutes)

Movietone News: "An Affair To Remember" is
a welcomed treat here, despite the fact that it
lasts just under a minute. Come aboard the S.S.
Constitution where the film's gala premiere party
is being held. Keep your eyes open and you'll see
the likes of Cary Grant, Celeste Holme and even a
slim and trim Shelly Winters.



A Still Gallery contains approximately 22
candid and publicity shots taken on the set of the
film. The film's original theatrical trailer
(featuring director Leo McCarey) is also included.
You will also find trailers for All About Eve,
Gentleman's Agreement
and How Green Was My
Valley
.


Final Thoughts



Finally in anamorphic, with a brand-new transfer
and some noteworthy supplements, this is a DVD that
belongs in every film lover's library.

Get out your big bowl of popcorn and have plenty
of tissues on hand -- An Affair to Remember
is a true Hollywood classic and the closest thing
to heaven.

They just don't make movies like this anymore


Release Date: February 4, 2003


All screen captures have been further compressed.
They are for illustrative purposes only and do not
represent actual picture quality
 

Richard Waller

Second Unit
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Oct 24, 2001
Messages
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My wife and I have always loved this movie. I can't wait to get this disc. Ron, thanks for another in-depth review.

EDIT: I ordered this from Bestbuy.com for $11.99 with free shipping.
 

Kim D

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Dec 18, 2002
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I get teary just thinking about this movie. I'll definitely be picking it up on Tuesday!!!

- kim
 

DaViD Boulet

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Yes...this is a tear-jerky that I admit I cannot watch without the tissues on standby. It's one of those staple films that has helped to get the significant-other "on board" with the value of Home-Theater and a nice new 16x9 transfer with extras is worth the purchase!

dave :)
 

Carlo_M

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Wait a sec! You mean this movie rips off Sleepless In Seattle's climax????

:p)

I'll be buying this one on release date. Not only will my girlfriend want it, but I feel compelled to reward studios who bring out catalog titles in a good (if not great) manner and a nice price point!
 

Robert Harris

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Ron,

The film does not stand out as a Technicolor production, because it was not. I believe color processing was by deluxe, with a handful of 16mm anamorphic reduction prints produced via the dye transfer process.

For the record there was never a 3 strip Technicolor anamorphic production.

RAH
 

Joe Caps

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Ron, my big question is this - the last dvd looked good but sounded very poor - very thin sound, nowhere near as good as the laser. How is the sound compared to the old dvd?
Why is this dvd not 4.0?
 

george kaplan

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This is exactly the 'type' of movie I don't like. And yet I love this film. Go figure.

Anyway thanks for the review. I look forward to replacing my current dvd.
 

Ronald Epstein

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Robert,

Amazing. I could have sworn this was a Technicolor
film. If it indeed isn't (and who am I to argue),
then this puts a more positive spin on the overall
image quality.

I will update the review immediately.

I don't have the original DVD release so I cannot
compare this film to the older version.
 

Nate Anderson

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Wait a sec! You mean this movie rips off Sleepless In Seattle's climax????
It was only a matter of time before someone mentioned Sleepless in Seattle...

In all fairness, after we watched 'Affair' in film class, I went back to my dorm and watched Sleepless in Seattle, just because I felt it was appropriate.
 

John_VI

Second Unit
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Feb 18, 2002
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I've never seent he original "Love Affair", but "An Affair to Remember" is one of my top-10 all-time favorite movies. I'll definitely be picking this up ASAP. Thanks Ron.

Oh, and the remake saga doesn't end with this movie. This film was remade AGAIN in the 90's starring Warren Beatty and Annette Benning. What a piece of garbage THAT was!!
 

Stephen PI

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Jan 31, 2003
Messages
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The audio quality on Fox dvd's varies wildly. Audio on "Between Heaven and Hell" is downright awful, "River of No Return" has very little low end, when "D-Day Sixth of June" sounds wonderful. The dvd of "Carmen Jones" has the option of having both the 4.0 and a 2.0 to select from. The 4.0 has severe problems. The white powder substance which builds up on the emulsion on a lot of old mag tracks sheds and builds up dramatically on the playback head, and before you know it all the high frequency has gone. I have been through this experience several times and you have to keep going back and forth cleaning the heads until you get a near perfect pass as possible. It is possible that the four channel master of "An Affair to Remember" had the same problem. so they decided not to use it, a pity. The 2.0 was presumably done some years ago when the track was playable (the 2.0 is a mixdown from the 4.0 master).
 

Gary Tooze

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Also posted this in my comparisons thread:

Fox BLUNDERS BIG TIME!

Old Version:


New Anamorphic version:



Personally I am surprised Fox redid this one as well. Although the old 'An Affair to Remember" disc was not anamorphic it was pretty good.. sharp... good grain. The image quality was very acceptable, although perhaps being a shade dark and the extras were pretty bare-bones. Now after saying it appears as though I was correct in that it is much sharper than the anamorphisized version. The new version appears quite hazy along-side the older sharper picture. The Menus are the same. Additions of a commentary and the same poor quality trailer. The 25 minute 'AMC Backstory Episode: "An Affair to Remember" is very good, but the stills gallery has just 22 black and white (?) images and the 'MovieTone newsreel' is less than a minute. I think I am sticking with the original in this instance... the colors in the new one look artificial at times too. Boo on 20th Century Fox ! They messed up... an overall loss of resolution and general focus does not make a better image.

FULL GRAPHIC COMPARISON AT:

http://www.compare.dvdbeaver.com/
 

GlennH

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Hmm. Hard call. Here are my observations on this comparison:

It does look like Fox did some grain removal, which probably removed some subtle detail. On the other hand the old disc was a little dark and non-anamorphic, and definitely had a little too much edge-enhancement (see the ringing halo on Cary's head against the sky) that appears to be lessened a lot on the new one.

It also appears to me that the old version might have been a little too "hot" on certain objects -- see your last comparison shot with Deborah Kerr sitting on the sofa -- notice the reflections off the lamp and objects on the table at far screen right. Very bright spots on the old one that are toned down and more natural in appearance now, to my eyes.

The lower bitrate of the new version is disturbing, but could that be a result of less grain?

I watched the old one not long ago before selling it in anticipation of the new version, which I haven't watched yet. So I'm stuck with the new one in any case.
 

DaViD Boulet

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Ohhh. Not good. If a 16x9 anamorphic version isn't giving you MORE picture information/detail than the 4x3 lbxed version...there's a problem!!!

I agree that there's a touch of EE in the old version, but it's dramatically clear that MUCH picture-information has been lost in the grain-removal. Look at details in the face/hair of the actors and in textures in the fabrics...it's not just grain that has been taken away!!!

Can we say "THX-approved Heathers"???

:frowning: :frowning: :frowning:
 

Robert Harris

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I've stated this many times and it is fact...

An anamorphic transfer has absolutely no relation to quality, rather, it is simply a tool which IF USED PROPERLY, can result in an image of higher resolution.

This is NOT always the case, and no assumptions can be made.
 

GlennH

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Now I've had a chance to look at this again at home, where my monitor is better (my previous comments were from work). I have to agree that from the screenshots presented the old version has better detail, more than I thought before.

I also notice quite a color difference, especially in the "sofa" scene shot.

Too bad Fox didn't just keep the film grain/picture detail and coloring, lose the artificial sharpening (EE), and re-release it anamorphic and with a high bitrate. The "Studio Classics" line should be of the highest caliber.
 

DaViD Boulet

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Robert,

No one would dissagree...but I think it's also imperative that a studio remastering (new transfer?) a title for 16x9 ***should*** endeavor to deliver something *superior* to an older transfer that was not utilizing 33% of it's potential vertical resolution.

If this doesn't happen, then the studio didn't do it right.
 

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