The complete score is on CD, FYI.
Great review...looks like I'll be hitting the 100 mark on the 24th.
Great review...looks like I'll be hitting the 100 mark on the 24th.
Music Director Sir Beville Marriner
was immediately flattered to be chosen to perform
the film and his only requirement was that this
film not turn into a Hollywood spectacle.That's Neville Marriner.
or does it still sport that stupid Orion logo from the original DVDFor me, if that's the logo that was on the film when first released, that's the logo I want on the DVD. I didn't like it when they removed the original Warner Brothers logo from "The Exorcist" in favor of the WB 75th Anniversary logo.
But since this is a totally new cut of "Amadeus" I don't care.
The great thing about listening two individuals talk is that they know Mozart so well, and they really attempted to achieve authenticity with how they portrayed the composer in this film.Not to be too picky, but Amadeus is the biggest lie when it comes to who Mozart actually was. The story is told by Salieri in a mental institution, so obviously the filmmakers were conscious of this, despite what they say in interviews and on the commentary. (The film's tagline was even "Everything you've heard is true.") Don't get me wrong, I love the film, but it pains me when people think that it's historically accurate. Now I'm not talking about minor details. For instance, while Mozart loved to tell dirty jokes and was known to be immature, he knew how to behave in front of royalty or more simply, he always acted professionally when it came to his profession. Next, while he was an extravagant spender, he could easily afford to do so. Mozart was in the top income bracket in Venna with lawyers and doctors. Only royalty made more than him. During the last year of his life he did have financial troubles, but this was because the Austrian Empire was at war and all of his patrons couldn't afford to spend money on having music composed. Hiis operas were incredibly popular - neither Le Nozze di Figaro or Don Giovanni were box-offices failures. And while the Emperor did say that Die Entführung aus dem Serail had too many notes, he was joking. In fact Emperor Joseph II was quiet knowledgeable about music. Speaking of his popularity, Mozart was very well known in his time as a composer and many people during his life proclaimed him as the greatest living composer. Now what the film successfully shows in that few people actually realized just how much of a genius he was. Lastly, there is even evidence which suggests that Mozart hardly drank alcohol.
Anyway, I think that Forman and Shaffer are purposely trying to dupe viewers into believing Salieri 's story since Amadeus is a story about story telling.
Great film, just don't believe anything.
Oh, as for the lack of an isolated score, WB obviously wants you to buy the sound track. This is probably better to do anyway considering how much of Mozart's music was edited so it could fit the lengths of scenes.
I'll stick with my dark, old flipper disc. I'm STICKING WITH IT! So THERE, Milos! So THERE!Yeah, Milos Forman had his original cut released just to spite you.
do the chapter stops on the box indicate which scenes are the "director's cut" scenes, a la "Apocalypse Now Redux"?Yes...