Ozzie and Harriet doesn't just have the costs of restoration and remastering, which Sam Nelson tried to tackle but apparently severely underestimated, to deal with. It also has the cost of clearing Ricky Nelson's songs, too.
I agree about all of the shows you list,Ok for the sake of arguement , only including unreleased stuff or shows with a just a best of or special release not stalled by season shows.
50s - Lassie - Really
Ozzie and Harriet- we know why but cmon, iconic in its time
77 Sunset Strip - We know why... at least what they tell us
Life of Riley- I guess just the age of it is the problem... so popular though
Amos and Andy- Yeah I know.... I'll keep my comments to myself, don't want to get
Banned. Should be out.
60s - Green Hornet- A superhero show unreleased, for real?
Fantastic Four 66- See above
Julia - Groundbreaking show... most others of black interest long released
My World and Welcome To It- Critical darling
Ben Casey- So popular and no whisper of a release
70s- Chico and the Man- Only major 70s sitcom completely unreleased save that Best of stuff
Trapper John MD- See Ben Casey above
Phyllis - Any idea on this one?
BJ/Lobo- Eveybody loved BJ during the trucker craze... Movin On comes out but not
These far more popular shows??
Something like Ben Casey unfortunately makes business sense for being absent on DVD, considering it disappeared decades ago. It would be a headliner for a similar thread about hit shows that didn't see the second life in syndication that they deserved, but sadly, it's not a big surprise that it's absent on DVD.
My Three Sons needs to be mentioned for the 1960's, if it's not disqualified due to two pairs of butchered DVD releases.
But My Three Sons not only was a hit show that ran for 12 seasons, but it's also been a staple in reruns of 1950's and 1960's television throughout the years. Not quite as frequently seen as a handful like I Love Lucy and The Andy Griffith Show, but it certainly has to rank well within the top 15.
Yet it's all but absent today on DVD and the ~15% of the show's run that did make it out, did so in butchered form and doesn't count for many fans like myself.
MTS is a definitely want for my family since we just finished watching the releases for the first two seasons. Unfortunately, even though MTS is high on the list of what should be available on DVD, having failed in the first attempt (no matter the reason) puts it in the unlikely to get rebooted category by CBS. All we can do is hope CBS is willing to license it out at a cost acceptable to someone like Shout!.
Fernwood/America 2Night is another show stuck in music rights hell. Too bad, it's a funny show that should get a release.
Forever Fernwood, the sequel to Mary Hartman, Mary Hartman, is also unlikely to see the light of day any time soon.
Yes they are . Quality isn't bad . I didn't realize that music rights issues are what has held up the release of Fenwood /America 2Nite. Funny how some shows sail through the music clearance hurdles while other shows languish.The first two weeks of Fernwood 2Night are extras on the Mary Hartman complete series, aren't they? Of course, that still leaves 120 episodes unreleased (55 Fernwood and all 65 America).
Yes they are . Quality isn't bad . I didn't realize that music rights issues are what has held up the release of Fenwood /America 2Nite. Funny how some shows sail through the music clearance hurdles while other shows languish.
I'd add Empty Nest to this list of head scratchers. Still haven't figured out why that has not been released.
I'm glad Norman Lear and MTM didn't actually sell their shows to Viacom outright (they used to syndicate All in the Family and The Mary Tyler Moore Show) or they might be owned by CBS by now instead of Sony and Fox.
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Towards the end of its run it was one of the lowest-rated shows on network TV. The cast changes had something to do with that, combined with Golden Palace being on CBS instead of NBC* which deprived them of the opportunity to do multi-show crossovers like they did the Hurricane and Full Moon shows. Moving the workplace scenes out of the hospital and into an inner-city clinic didn't seem to have a positive effect on the ratings, either, but it was good to see what happened to Sophia (and she actually did something about the conditions at Shady Pines), and Marsha Warfield's character was a step up from Lisa Rieffel and Paul Provenza.** The year it ended was the year Disney and ABC merged.