Actually, Hitchcock peaked with Psycho which came the year after NNW.Would add To Catch a Thief and The Lady Vanishes to your list. Hitch peaked with NNW and then went into decline. I think he made more films in VistaVision (5) than anyone else.
Actually, Hitchcock peaked with Psycho which came the year after NNW.Would add To Catch a Thief and The Lady Vanishes to your list. Hitch peaked with NNW and then went into decline. I think he made more films in VistaVision (5) than anyone else.
While NbyNW may be his "peak" (tell that to Vertigo), Hitch didn't go into decline until Marnie IMO.Would add To Catch a Thief and The Lady Vanishes to your list. Hitch peaked with NNW and then went into decline. I think he made more films in VistaVision (5) than anyone else.
For me, Torn Curtain and Topaz are average at best and would be totally forgotten today if they hadn't been made by Hitchcock but I thought Frenzy was a good rebound from those. And while Family Plot isn't a masterpiece, it's a fun movie.While NbyNW may be his "peak" (tell that to Vertigo), Hitch didn't go into decline until Marnie IMO.
I have found Hitchcock's cinema is made up entirely of peaks and valleys. For every stretch of masterpieces, there's an equally long one of not so great films.For me, Torn Curtain and Topaz are average at best and would be totally forgotten today if they hadn't been made by Hitchcock but I thought Frenzy was a good rebound from those. And while Family Plot isn't a masterpiece, it's a fun movie.
Once he came to the U.S., that time period (and I even enjoy Rope) and when he made Torn Curtain and Topaz are his only really creative down points in my mind. Not that every movie is great but I find the rest to range from entertaining to basically perfect.The period between Notorious and Strangers on A Train is certainly a valley.
The Paradine Case
Rope
Under Capricorn
Stage Fright
Hopefully this means we will finally get a good looking transfer of Marnie.May. From the bits:
Nightmare Alley, Monster From Green Hell, and Hitchcock 4K, plus a look back at Dirty Harry, new Blu-ray reviews & more
We’ve got a brand new History, Legacy & Showmanship column from our own Michael Coate for you to enjoy today, and it’s another bonus column originally meant to be posted late last year, but that took longer to complete than expected. In this installment, Michael looks back at Don Seigel’s Dirty...thedigitalbits.com
In a bit of unofficial release news, it appears from retail sources that Universal has targeted 5/10 as the street date for their The Alfred Hitchcock Classics Collection: Volume 2 4K/Blu-ray box set, which—as we first mentioned here at The Bits last week—will include Saboteur (1942), Shadow of a Doubt (1943), Marnie (1964), The Trouble with Harry (1955), and Family Plot (1976).
How you spend your monies is your personal business. However, this isn't an unrelated set of films since it has the same director.I don't much like sets of unrelated films. Still waiting for LoA to be released as a single.
I suspect that Keith means "unrelated" in that they aren't part of a series.
I suspect that Keith means "unrelated" in that they aren't part of a series.
I guess you never bought any DVD or Blu-ray non-series boxset beforehand, right?That's right. Big fan of Hitch but don't care for Harry or his post Psycho films.
Oook...
Saboteur and Shadow of a Doubt - filtered and duped to death
Marnie - Heavily filtered
Harry - IF its a scan from a 8-perf this might be worth it alone. If not...
Family Plot - Probably the most to be gained.
Yeah not a set screaming "BUY ME!" at first glance. I'll wait for the reviews.
Once he came to the U.S., that time period (and I even enjoy Rope) and when he made Torn Curtain and Topaz are his only really creative down points in my mind. Not that every movie is great but I find the rest to range from entertaining to basically perfect.
I like Rope and The Man Who Knew Too Much quite a bit, I'm a big fan of Frenzy and the completist in me will buy Torn Curtain and Topaz.For me, Rope may be my favorite film of his - it’s probably the one I revisit the most often.