- Joined
- Jul 3, 1997
- Messages
- 66,745
- Real Name
- Ronald Epstein
I was curious about this, I hadn't heard anything about it. I still have the old bluray. It's not my favorite Wayne film, but some of it was shot not too far from where I live, and a lot of my family was involved in the oil industry in the Houston/Baytown area since at least WW2.By the way, the 2015 BD is still available on Amazon for $9.99. I seriously doubt Mill Creek is releasing this movie from a new master/scan.
I'm a little bias as I first watched this movie during its theatrical run back in my childhood. I liked the movie, I have the older BD release and will not be ordering this new Mill Creek release.I’ve never seen this one, RCR - worth checking out (in whichever format is the best cost value)?
Same here! I'm pretty sure I watched this movie and "The Green Berets" within a year of each other. I remembered this movie came out in the summer and then "The Green Berets" came out in the winter. While this movie holds up pretty well for me, "The Green Berets" not so much. Of course, both movies had Jim Hutton in them so the Duke must have liked him. There were a couple of other supporting actors in both movies too like Bruce Cabot for one. Cabot was a Wayne regular supporting actor.I also saw this when It came out and have the original BD. I don't know whether I would like it as much if I was seeing it for the first time now. Back then, I saw everything John Wayne was in, and though the film has a lot of longueurs and is occasionally slackly directed, the action sequences are involving and colorful, and besides, every image basks in a warm nostalgic glow for me. And Wayne is Wayne. Even when the narrative distintergrates and it appears the director is on a coffee break, he holds everything together. You can't take your eyes off him. He walks across the room, looks at Katherine Ross out of the corner of his eye, lackadaisical yet benevolent, and yeah, I love it. You can tell those performers enjoy being around each other. It's not just acting. There's a kind of Hawksian camaraderie, but without Howard Hawks' mastery of improvisation and cinematic form. Nonetheless, it's entertaining, in a mellow, low-key kind of way. It's long, but if it was shorter, there wouldn't be that sense of community.