Jeff_HR
Senior HTF Member
- Joined
- Jun 15, 2001
- Messages
- 3,593
Well it seems Toho only gets tetchy in regards to their kaiju flicks (thank god Kurosawa's works seem to be doing well here), but yeah they do have this "you stabbed us so we'll stab you back" mentality that has long grown tiresome.Originally Posted by Jesse Blacklow
I learned long ago to stay far away from any non-Japanese kaiju releases, due to the misguided nationalism/possible racism/extreme intellectual property paranoia/etc. that Toho and many other Japanese studios have made company policy in order to massacre foreign releases of their films. Their all-but-explicitly-stated goal is to prevent high-quality A/V, subtitles, and extras from being distributed outside Japan. Personally, I doubt that the quality of this release is really Classic Media's fault, but rather that Toho deliberately provided extremely poor quality source material. It's how they operate.
I can't agree with this. As a company that has dealt with MANY Japanese studios, we have nothing but respect and praise for the studios and the titles we have licensed. Toei, one of the largest studios in japan, has been absolutely amazing with their help and support to let us put out the best quality releases. Our releases of HORRORS OF MALFORMED MEN (which isn't even out in a Japanese edition, only in the USA), SNAKE WOMAN'S CURSE, our three POISONOUS SEDUCTRESS titles and even our two WANDERING GINZA titles all had beautiful 35mm film materials. New low-contrast 35mm materials were graciously made for us and sent from Japan. We couldn't have been happier and they never held anything back, or gave us any problems whatsoever.Originally Posted by Jesse Blacklow
I learned long ago to stay far away from any non-Japanese kaiju releases, due to the misguided nationalism/possible racism/extreme intellectual property paranoia/etc. that Toho and many other Japanese studios have made company policy in order to massacre foreign releases of their films. Their all-but-explicitly-stated goal is to prevent high-quality A/V, subtitles, and extras from being distributed outside Japan. Personally, I doubt that the quality of this release is really Classic Media's fault, but rather that Toho deliberately provided extremely poor quality source material. It's how they operate.