Bob clamer
Supporting Actor
- Joined
- May 12, 2003
- Messages
- 651
Do not think this really applies to this thread but found it interesting enough to post it for everyone who did not see it. I came across this article in one of my issues of Entertainment Weekly (12/16/05 to be precise) of an interview with RR about the “Sin City” Unrated Cut DVD.
EW: With all the bonus-commentaries, featurettes on makeup, props and costumes, a greenscreen version-do you ever worry about demystifying the process?
RR: If no one watched the extras, I’d still do it, to record my own methodology. As as artist, the process is usually more important than the end result. Giving away your tricks forces you to create new tricks.
EW: Why include an audio track of an audience’s reaction?
RR: People say they love the DVD, but they miss the audience experience. When the balls get ripped off the Yellow Bastard, you hear people going, “Oh, my God!” I went from theater to theater when “Sin City” came out just to watch people react to that scene.
EW: Can we expect similar DVD treatments with the sequels?
RR: They’ll probably be more elaborate. “Sin City” was supposed to be bold and different. When you do a sequel, you can be more experimental because people are ready for it. We can present the movie several ways: We’ll shoot the full stories and then cut a tighter theatrical version, but the real version will be on DVD. After we do “Sin City 2” and “Sin City 3”, it’ll be like having a book collection.
EW: With all the bonus-commentaries, featurettes on makeup, props and costumes, a greenscreen version-do you ever worry about demystifying the process?
RR: If no one watched the extras, I’d still do it, to record my own methodology. As as artist, the process is usually more important than the end result. Giving away your tricks forces you to create new tricks.
EW: Why include an audio track of an audience’s reaction?
RR: People say they love the DVD, but they miss the audience experience. When the balls get ripped off the Yellow Bastard, you hear people going, “Oh, my God!” I went from theater to theater when “Sin City” came out just to watch people react to that scene.
EW: Can we expect similar DVD treatments with the sequels?
RR: They’ll probably be more elaborate. “Sin City” was supposed to be bold and different. When you do a sequel, you can be more experimental because people are ready for it. We can present the movie several ways: We’ll shoot the full stories and then cut a tighter theatrical version, but the real version will be on DVD. After we do “Sin City 2” and “Sin City 3”, it’ll be like having a book collection.