So, your point is, if you eliminate the area where almost all the great Sci-Fi films are, there are no great Sci-Fi films.My point was toward the big budget stuff, which tends to always have to be mostly an action film.
So, your point is, if you eliminate the area where almost all the great Sci-Fi films are, there are no great Sci-Fi films.My point was toward the big budget stuff, which tends to always have to be mostly an action film.
So, your point is, if you eliminate the area where almost all the great Sci-Fi films are, there are no great Sci-Fi films.
So what? Are you claiming that only big budget movies exist? If a movie is great Sci-Fi, it’s great Sci-Fi, regardless of the budget.Well, what are you calling big budget today? I would argue that a lot of the great sci-fi from the recent past, Moon, Arrival, Annihilation, etc...were small to moderate budget and were not big budget pictures.
I agree but some critics disagree and feel it was just a violent meathead movie. I'm paraphrasing but a critic said something to the effect of that Fight Club "was anti-capitalism, anti-society and, yes, anti-god". I actually agree with that but unlike the critic, I don't find that offputting. However, that quote shows that some of the people that dislike the movie could still see that there is more at play than just making testosterone addled teens and 20 somethings go "Oh, cool!" when a dude gets beat up.In all the film conversations I have had, I have never really had a conversation about Fight Club. I need to watch it again but I mean all that struck me about the picture was the social commentary it was making and that it was a really intelligent picture from a very creative filmmaker.
Have seen I Am Mother by chance?Well, what are you calling big budget today? I would argue that a lot of the great sci-fi from the recent past, Moon, Arrival, Annihilation, etc...were small to moderate budget and were not big budget pictures.
So what? Are you claiming that only big budget movies exist? If a movie is great Sci-Fi, it’s great Sci-Fi, regardless of the budget.
In all the film conversations I have had, I have never really had a conversation about Fight Club. I need to watch it again but I mean all that struck me about the picture was the social commentary it was making and that it was a really intelligent picture from a very creative filmmaker.
I've always thought of Tarantino as a dialogue guy. A guy that approaches everything he does from the aspect of writing a memorable character that is going to say something you are going to remember.
I have never thought about the action scenes in his films. I think they are fine but to me this is not what he is all about. I think of nothing but scenes with his characters talking, fully engaged with each other and lighting up the screen because of it.
I've argued elsewhere that Disney/Marvel is not to blame for the current popularity of superhero films if audiences keep watching them.
On a big budget picture the ambition will be removed and you will get product, formatted, assembled, formulated, created by committee to appeal to the most people possible no matter how it compromises the film because the goal for the picture is to make as much money as possible.
The higher your budget the more people looking over your shoulder that will want to tell you what to do. Simple as that.
No, my claim would be that you are far more likely to get a good or interesting picture if the budget is small to moderate than you will with a big budget.
It's what I would call the "ambition" factor. On the small to moderate budget film you are going to get a very ambitious project where the writer or director or set designer...basically across the board...is going to really go for it and attempt to do something awesome and unique.
On a big budget picture the ambition will be removed and you will get product, formatted, assembled, formulated, created by committee to appeal to the most people possible no matter how it compromises the film because the goal for the picture is to make as much money as possible.
The higher your budget the more people looking over your shoulder that will want to tell you what to do. Simple as that.
Now, that being said, I am not saying that I am not entertained by some big budget projects but, in my opinion, they have a much higher prospect for being crappy than a smaller budget film where the artists actually make all the decisions.
I did see I Am Mother, a good picture and a small budget picture as well. This is the thing, with small budget pictures they are likely lucky to get into production and finished so when we get them and we love them, in truth there is a great deal of luck involved that allowed that picture to escape into the wild.
Big budget pictures tend to be corporate decisions that are going to get made no matter what and because they poured a boatload of money into them...an entire group of people that are not part of a "creative" team are going to have a massive say in what they are. Which, more often than not, is crap.
And hospitals too!!!You could smoke in many of the theaters back then...
This is generally not true. I liked watching some films which were produced on small to moderate budgets, which were complete total "atrocities".
One big case I'm familiar with in the recent past, are the small/moderate budget films produced by bottom feeder movie studios like The Asylum. They're the movie company which gave us classics like the Sharknado franchise.
Another case are the low budget films produced by Uwe Boll.
I get what Pike is trying to say. I've seen a lot of low-budget films created by "nobodies" that are better than a lot of big-budget films made by and with popular filmmakers. For example, Gareth Edwards' virtually-nil-budget Monsters is a hell of a lot more creative than his bloated mega-budget Godzilla.
But when it comes down to it, big-budget films have as much of a chance of being good as low-budget films, and low-budget films have as much of a chance of being stinkers as big-budget films. Budget is only one of the various factors that affect how good the final result will be.
Movies are ultimately a business, when we get down to it.
Blame the audience if certain movies don't get the green light these days.
One additional factor to consider is the creative talent behind the film. Filmmakers like Peter Jackson, James Cameron, Christopher Nolan, and Denis Villeneuve (for instance) have very strong visions for their films that will make this much less of a factor.
I don't even know what this discussion is actually about, and I'm getting a little dizzy. I don't think I have anything else to contribute.
One of the reasons for this is Scorsese pictures would be primarily for an English speaking audience because they are heavily dialogue dependent to tell their stories. Meaning the dialogue is going to be more complex than just telling you where a character has to go next or what thing they need to find to prevent the world being destroyed. So, much harder to make a Scorsese film work for a audience that speaks no English. You can translate it or put it in subtitles but often times there is nuance to what is being said and how they are saying it. Phrases or words that are being used that have a double meaning that a translation would not capture. You simply can't make Marvel type money on a picture like this because it is not written for simple translation into many languages.
I get what you mean, but using Scorsese as your prime example of this seems...odd. Scorsese is, and has always been, at the forefront of the promotion of World Cinema. It doesn't strike me as reasonable to suggest that Scorsese would deliberately make pictures primarily for an English-speaking audience, and not be very concerned with how they would be adapted (i.e. translated) for foreign audiences, given that he's so focused (when not actually making a film) on bringing foreign-language films to English-speaking audiences. What's good for the goose, and all that.