Kevin Leonard
Supporting Actor
- Joined
- Mar 11, 2001
- Messages
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(Note: there is another thread inquiring about Costello reissues. If any of the mods feel this thread is redundant, please close it and I'll repost my reviews in the other thread.)
In the mid-90's, Rykodisc took all of Elvis Costello's albums from his "classic years" aka Columbia years (1977 - 1986) and reissued each of them with remastered sound, liner notes from Costello and a generous amount of bonus tracks--including b-sides, outtakes, live songs and various odds and ends. The reissue series was widely acclaimed and helped to keep Costello in the press.
I discovered Elvis two years ago, when I was a lad of 18 and eager to expand my knowledge of music. Many of my favorite musicians cited Costello as an influence, and after hearing many positive things about him, I took and a chance and bought his first album, My Aim Is True. To cut to the chase, I didn't think much of it and filed it away; soon I discovered he had much more cooler songs in his repertoire and after buying his second album (This Year's Model), I became another one of the converted.
So, several purchases later, I discover that all the Ryko reissues have gone out of print to make way for the brand new reissues by Rhino. Not only would each album now be a 2-disc set, Costello's albums from 1989 - 1996 would be reissued as well. Is it worth it to re-buy for those of us who own the Ryko reissues? Well, read on...
MY AIM IS TRUE (1977)
The Album
Here it is. The debut of a genius. A collection of 13 perfect songs. Probably the finest album of 1977. A groundbreaking work that defies expectations.
I DON'T THINK SO! Costello's debut is a fun album, but all the songs are merely average or above-average. There may be some contributing factors to this: cheap recording methods, Costello's possible nervousness and the musical backing of the group Clover--best known as being Huey Lewis' band--who were replaced shortly afterwards by the backing band we all know and love...The Attractions.
There is a common myth about Costello that I'd like to address: that he was a punk rocker. Not true. Costello was always a pop craftsman at heart, and the fact that some of his songs are loud and have a punkish edge to them is beside the point. Anyone who tells you this is a punk album has not listened to it.
If anything, the music has a very heavy debt to 50's music, particularly doo-wop ("Welcome to the Working Week," "Sneaky Feelings," "No Dancing") and rockabilly ("Mystery Dance," "Blame It On Cain"). Costello pays his dues to the Byrds ("Red Shoes") and the Kinks (the garage rocker "Miracle Man") as well. Since the influences are so heavy, the songs are bound to suffer. Oh, none of the tunes are bad; it's just that many of them aren't memorable. I'd be hard pressed to tell you the differences to "Blame It On Cain" and "Sneaky Feelings," and aside from the lyrics (more on that in a bit), "Mystery Dance" and "No Dancing" sound like generic 50's rockers.
However, where Costello shines is in the lyrics department. Quite a few songs are about sexual frustration ("Miracle Man," "No Dancing," "Mystery Dance," "I'm Not Angry"), some are surreal journeys ("Waiting For the End of the World"), some are lost love laments ("Alison," "Red Shoes") and some are just, well, are hard to describe ("Watching the Detectives"). There are many great lines, but here is just one of my favorites (from "Red Shoes"):
In the mid-90's, Rykodisc took all of Elvis Costello's albums from his "classic years" aka Columbia years (1977 - 1986) and reissued each of them with remastered sound, liner notes from Costello and a generous amount of bonus tracks--including b-sides, outtakes, live songs and various odds and ends. The reissue series was widely acclaimed and helped to keep Costello in the press.
I discovered Elvis two years ago, when I was a lad of 18 and eager to expand my knowledge of music. Many of my favorite musicians cited Costello as an influence, and after hearing many positive things about him, I took and a chance and bought his first album, My Aim Is True. To cut to the chase, I didn't think much of it and filed it away; soon I discovered he had much more cooler songs in his repertoire and after buying his second album (This Year's Model), I became another one of the converted.
So, several purchases later, I discover that all the Ryko reissues have gone out of print to make way for the brand new reissues by Rhino. Not only would each album now be a 2-disc set, Costello's albums from 1989 - 1996 would be reissued as well. Is it worth it to re-buy for those of us who own the Ryko reissues? Well, read on...
MY AIM IS TRUE (1977)
The Album
Here it is. The debut of a genius. A collection of 13 perfect songs. Probably the finest album of 1977. A groundbreaking work that defies expectations.
I DON'T THINK SO! Costello's debut is a fun album, but all the songs are merely average or above-average. There may be some contributing factors to this: cheap recording methods, Costello's possible nervousness and the musical backing of the group Clover--best known as being Huey Lewis' band--who were replaced shortly afterwards by the backing band we all know and love...The Attractions.
There is a common myth about Costello that I'd like to address: that he was a punk rocker. Not true. Costello was always a pop craftsman at heart, and the fact that some of his songs are loud and have a punkish edge to them is beside the point. Anyone who tells you this is a punk album has not listened to it.
If anything, the music has a very heavy debt to 50's music, particularly doo-wop ("Welcome to the Working Week," "Sneaky Feelings," "No Dancing") and rockabilly ("Mystery Dance," "Blame It On Cain"). Costello pays his dues to the Byrds ("Red Shoes") and the Kinks (the garage rocker "Miracle Man") as well. Since the influences are so heavy, the songs are bound to suffer. Oh, none of the tunes are bad; it's just that many of them aren't memorable. I'd be hard pressed to tell you the differences to "Blame It On Cain" and "Sneaky Feelings," and aside from the lyrics (more on that in a bit), "Mystery Dance" and "No Dancing" sound like generic 50's rockers.
However, where Costello shines is in the lyrics department. Quite a few songs are about sexual frustration ("Miracle Man," "No Dancing," "Mystery Dance," "I'm Not Angry"), some are surreal journeys ("Waiting For the End of the World"), some are lost love laments ("Alison," "Red Shoes") and some are just, well, are hard to describe ("Watching the Detectives"). There are many great lines, but here is just one of my favorites (from "Red Shoes"):
Oh, I said "I'm so happy, I could die."
She said "Drop dead," then left with another guy.
Let's see the other two big UK acts of 1977, the Clash or the Sex Pistols, try to come up with something like that.
Despite the averageness of the music, there are some standouts; not surprisingly, they've all gone on to become classics. First is the aching love ballad "Alison." This is a perfect breakup song...the lyrics are sentimental, yet not sappy, and the melody is quite lovely, with a slight soul and Latin feel to it.
Next up is "Less Than Zero." A vicious lyrical attack on the hated facist Oswald Mosley. Say what you will, but even the most vicious lyrics don't mean jack unless you got a catchy melody to back it up, and Costello and Clover provide one. With a rollicking guitar and a punchy organ, Costello snarls out the words before going into an infectious "Hey! Hey!" chorus. It's probably the best song on the album.
Finally, we have "Watching the Detectives." This was added to the US version of the album (it was released as a non-album single in the UK). As best as I can tell, the song is like some murder mystery gone horribly wrong, as Costello whispers out the words with a slight air of disgust in his voice. Kicking off with a powerful drum intro, there is a killer interplay between the bass and keyboards (the latter played by future Attractions member Steve Nieve), with sharp guitar lines cutting in. It's a brilliant song and a perfect way to close the album.
The Discs
Soundwise, the sound is exactly like the one found on the Ryko reissues. The instruments are all very clear and very well-mixed, while the sound overall has a warm, full feel to it. It manages to sound clean and messy at the same time. The only difference is that "Mystery Dance" fades out on this version rather than coming to a stop on the Ryko version.
As for bonus cuts, what we get here will thrill the Costello newbie, but will piss off the buyer who owns the past version (i.e., me). All told, there are only 4 new bonus tracks that were not on the Ryko version.
There are two early versions of songs that would wind up on Costello's next album This Year's Model--"No Action" and "Living In Paradise." The former has a ton of distortion (due to the instruments not being properly miked) but is incredibly frenetic, with a forceful drumming part and messy guitar sound...it's even more brutal than the version found on TYM. The latter sounds completely different from the more well-known version; here it is done as a country tune, with pedal steel and rockabilly twangs. It would have fit in nicely on the original album, but was dropped for reasons unknown.
Moving on, the other 2 exclusive cuts are both live. First is a cover of the Bacharach/David tune "I Just Don't Know What to Do With Myself." It's basically done as a slow ballad; it's competent, but nothing truly stands out. Next is "Less Than Zero (Dallas Version)." Here, instead of Oswald Mosley, the target is Lee Harvey Oswald. The lyrics are even more blunt than the original, and the Attractions attack the song with energy. It's a great addition.
The rest of the bonus tracks have all appeared previously. "Radio Sweetheart" is a catchy acoustic song that appeared as a b-side, while "Stranger In the House" is a straight up country song that was dropped as country was considered death in 1977. "Imagination (Is A Powerful Deceiver)," one of the outtakes from MAIT, kind of bops along for 4 minutes, then stops...it's pretty unmemorable. The rest of the songs--known as the "Honky Tonk Demos"--is just Costello and his acoustic guitar, trying out new tunes...some of which would show up on his first two albums, albeit lyrically altered. The songs are quite nice to listen to, and make for an interesting type of folk music EP.
Packaging-wise, the release is exceptional. The booklet provided is thick, filled with rare photos, lyrics to all the songs, and very detailed (and entertaining) liner notes by Costello (note: these are different from the notes that appeared in the Ryko version).
Overall, I'd say it's worth a repurchase. Rhino has wisely priced each release at $18; most stores will carry it for less. So for under 20 bucks, you can get 2 discs of quality material, lovingly done or the latest CD by whatever band is in the top 10 right now. It's up to you.
Reviews of Spike and All This Useless Beauty to follow.
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