Rex Bachmann
Screenwriter
- Joined
- Nov 10, 2001
- Messages
- 1,972
- Real Name
- Rex Bachmann
Chuck Anstey wrote (post #59):
I can't speak to the books, as I have never read them, but this fictional "world" of the miniseries draws very much on Western, and especially English-speaking, consciousness. Most of these "neo-Medieval" tales---the filmed ones, at least---are inextricably entwined with British-based cultural models, from the accents haphazardly employed, to the architecture of the castles and shanties depicted, to the style of dress of the characters, to even the soundtrack music (here an unhappy mélange of Celtic and Middle Eastern).
I don't know anything about a "direct connection", but it is just plain intellectual dishonesty to pretend that the representations that are presented to evoke these kinds of worlds are somehow "raceless" and "cultureless", even if the themes of the stories somehow strike us as "universal" just because they may find resonance in us. That is the cultural (and maybe racial) egotism that I think Ms. Leguin was trying to depart from in the first place, and what underlies her plaints about the casting of the film.
I can't speak to the books, as I have never read them, but this fictional "world" of the miniseries draws very much on Western, and especially English-speaking, consciousness. Most of these "neo-Medieval" tales---the filmed ones, at least---are inextricably entwined with British-based cultural models, from the accents haphazardly employed, to the architecture of the castles and shanties depicted, to the style of dress of the characters, to even the soundtrack music (here an unhappy mélange of Celtic and Middle Eastern).
I don't know anything about a "direct connection", but it is just plain intellectual dishonesty to pretend that the representations that are presented to evoke these kinds of worlds are somehow "raceless" and "cultureless", even if the themes of the stories somehow strike us as "universal" just because they may find resonance in us. That is the cultural (and maybe racial) egotism that I think Ms. Leguin was trying to depart from in the first place, and what underlies her plaints about the casting of the film.