Cliffk
Agent
- Joined
- Sep 21, 1998
- Messages
- 31
Hi all!
I'm getting ready to upgrade from a Yamaha RX-V2095 to a new receiver in the $1,500 - $2,000 (street price) range. I have Atl. Tech's Sys 350 (dual subs) plus a pair of their 251.1LR's currently serving front effects duty. Since I have a dedicated HT, I'll have no problem moving the 251.1's to the rear wall. My listening breakdown is 98% movies and 2% music (although never critical listening). I have distributed a/v downstairs; thus, Zone 2 output and discrete volume control and source selection are a must.
Understanding that DTS-ES and DD-EX material is quite scarce, the thrust of this thread is to elicit opinions regarding various receivers ability to post-process 5.1 movie tracks to a pleasing and exciting 7.1 experience. Again, I don't care about music and I'm not overly concerned with 2.0 or 4.0 post-processing.
A primer for discussion on this topic:
One of the oldest and perhaps best respected 7.1 post-processing is Harman's Logic 7. I have experience with the Lex DC-2 (not owned personally though :frowning: ), and I must say I love Logic 7. Unfortunately, my budget doesn't allow for the purchase of an MC-1 + amp, so I had looked at the HK AVR 8000. However, I've gotten some pretty negative comments from an honest dealer friend of mine concerning build quality, etc.
On the newer side of things is Cirrus's Extra Surround implemented in the Outlaw and Rotel pre/pros. I'm on the Outlaw waiting list, but will probably not buy one b/c of very poor zone 2 implementation (I've posted on this earlier without much response, but will be following up later with another thread). Having not heard this processing, I would welcome comments from those who have. Also, it this processing implemented in any receivers in my price range?
Another new 7.1 post processing scheme is THX Ultra 2. This seems to have a great deal of potential and got very favorable reviews in the latest issue of HT mag (Pioner Elite VSX-49TX). The VSX-47TX would be in my price range. Again, anyone with experience with this format please tell me how it sounds.
Those are the three that I'm most familiar with.
So, my questions are (in addition to above):
What other 7.1 schemes are out there?
On what receivers in my price range are these formats implemented?
How do the various formats compare?
Thanks so much for your help and time in responding.
-Cliff
I'm getting ready to upgrade from a Yamaha RX-V2095 to a new receiver in the $1,500 - $2,000 (street price) range. I have Atl. Tech's Sys 350 (dual subs) plus a pair of their 251.1LR's currently serving front effects duty. Since I have a dedicated HT, I'll have no problem moving the 251.1's to the rear wall. My listening breakdown is 98% movies and 2% music (although never critical listening). I have distributed a/v downstairs; thus, Zone 2 output and discrete volume control and source selection are a must.
Understanding that DTS-ES and DD-EX material is quite scarce, the thrust of this thread is to elicit opinions regarding various receivers ability to post-process 5.1 movie tracks to a pleasing and exciting 7.1 experience. Again, I don't care about music and I'm not overly concerned with 2.0 or 4.0 post-processing.
A primer for discussion on this topic:
One of the oldest and perhaps best respected 7.1 post-processing is Harman's Logic 7. I have experience with the Lex DC-2 (not owned personally though :frowning: ), and I must say I love Logic 7. Unfortunately, my budget doesn't allow for the purchase of an MC-1 + amp, so I had looked at the HK AVR 8000. However, I've gotten some pretty negative comments from an honest dealer friend of mine concerning build quality, etc.
On the newer side of things is Cirrus's Extra Surround implemented in the Outlaw and Rotel pre/pros. I'm on the Outlaw waiting list, but will probably not buy one b/c of very poor zone 2 implementation (I've posted on this earlier without much response, but will be following up later with another thread). Having not heard this processing, I would welcome comments from those who have. Also, it this processing implemented in any receivers in my price range?
Another new 7.1 post processing scheme is THX Ultra 2. This seems to have a great deal of potential and got very favorable reviews in the latest issue of HT mag (Pioner Elite VSX-49TX). The VSX-47TX would be in my price range. Again, anyone with experience with this format please tell me how it sounds.
Those are the three that I'm most familiar with.
So, my questions are (in addition to above):
What other 7.1 schemes are out there?
On what receivers in my price range are these formats implemented?
How do the various formats compare?
Thanks so much for your help and time in responding.
-Cliff