titch
Senior HTF Member
- Joined
- Nov 7, 2012
- Messages
- 2,308
- Real Name
- Kevin Oppegaard
If Stop Making Sense is the greatest concert film ever made, then David Byrne's American Utopia isn't all that far behind. The recently released Region B-locked UK release is excellent - both the audio and visual quality are first rate. What's unusual - and very welcome - is that this disc is subtitled, songs included. Dogwoof doesn't always provide subtitling. I've been a Talking Heads fan for decades, but I'll admit, I haven't caught the lyrics to all songs before. The sound isn't as punchy as it is on the Stop Making Sense blu ray, but the 5.1 mix opens up the soundstage far better than the CD soundtrack does.
I was fortunate enough to catch this tour live, in Amsterdam, November 2018. It was the best concert I have ever seen and the filmed Broadway version is quite faithful to that experience, although David Byrne has introductions to most of his songs on the Broadway production, while there was little banter in between songs during the live performance I attended.
The only minor quibble I have about this film experience, is that Spike Lee chose to film from all angles, including overhead shots. While this displays the brilliant choreography of the production, it is completely different to the "live experience", because then you only ever see the performers from in front. I disliked not being able to keep focussed on whatever I found most appealing visually, which I did during the live concert, instead having to constantly watch cuts to what Spike Lee found most interesting. There was really so much going on all the time on the stage, that I feel Spike Lee could have used more wide shots, instead of close-ups - something that Jonathan Demme was careful to do during Stop Making Sense.
I was fortunate enough to catch this tour live, in Amsterdam, November 2018. It was the best concert I have ever seen and the filmed Broadway version is quite faithful to that experience, although David Byrne has introductions to most of his songs on the Broadway production, while there was little banter in between songs during the live performance I attended.
The only minor quibble I have about this film experience, is that Spike Lee chose to film from all angles, including overhead shots. While this displays the brilliant choreography of the production, it is completely different to the "live experience", because then you only ever see the performers from in front. I disliked not being able to keep focussed on whatever I found most appealing visually, which I did during the live concert, instead having to constantly watch cuts to what Spike Lee found most interesting. There was really so much going on all the time on the stage, that I feel Spike Lee could have used more wide shots, instead of close-ups - something that Jonathan Demme was careful to do during Stop Making Sense.