The same here!I've never seen it so I'm looking forward to it!
The same here!I've never seen it so I'm looking forward to it!
This morning's viewing was "Pride and Prejudice" (1940) on HBO Max. This stream looks like it was derived from a new master as it looked terrific. It's schedule to leave HBO Max on August 1st with the new WA Blu-ray being released on July 14th. Just a great movie with a cast of actors to match it.
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This morning's viewing was "Pride and Prejudice" (1940) on HBO Max. This stream looks like it was derived from a new master as it looked terrific. It's schedule to leave HBO Max on August 1st with the new WA Blu-ray being released on July 14th. Just a great movie with a cast of actors to match it.
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Imagine if it had been directed by the likes of a George Cukor instead of the lumbering Robert Z. Leonard!This morning's viewing was "Pride and Prejudice" (1940) on HBO Max. This stream looks like it was derived from a new master as it looked terrific. It's schedule to leave HBO Max on August 1st with the new WA Blu-ray being released on July 14th. Just a great movie with a cast of actors to match it.
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I still think it's four star movie based on a 1-4 star scoring system.Imagine if it had been directed by the likes of a George Cukor instead of the lumbering Robert Z. Leonard!
Agreed, but it's because of the acting and the script. A better director would have lifted it into the realm of the sublime.I still think it's four star movie based on a 1-4 star scoring system.
Robert Z. Leonard is indeed lumbering. A perfect description of his "style without a style." But in this case, he had Karl Freund behind the camera, a wonderful director in his own right, and a master of light and shadow who knew how to move the camera in the most concise manner that would transform everything. Like Greg Toland at Goldwyn, Karl Freund was the real genius behind the scenes at MGM, that along with the cast, made those pictures what they were and make them eminently watchable even today.Imagine if it had been directed by the likes of a George Cukor instead of the lumbering Robert Z. Leonard!
As an Aries, I should be offended by "The Sign of the Ram". Definitely, not a film noir and the transfer wasn't good with some noticeable weaving appearing and then disappearing throughout the movie. Hell, Phyllis Thaxter was basically useless in this movie. Other than that, it's a mediocre movie with some gullible characters.This week's Noir Alley movie is "The Sign of the Ram" (1948) starring Susan Peters, Alexander Knox, Phyllis Thaxter and Peggy Ann Garner. This will be a first time viewing so I'm really looking forward to watching this movie. With that said, a sad story about Susan Peters.
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Updated TCM's Noir Alley 2020 schedule:
03-07-20: Ride the Pink Horse (1947)
03-14-20: I Wake Up Screaming (1941)
03-21-20: Elevator to the Gallows (1958)
03-28-20: Crime Wave (1954)
04-04-20: Address Unknown (1944)
04-11-20: Beyond a Reasonable Doubt (1956)
04-25-20: Wicked Woman (1954)
05-02-20: Fallen Angel (1945)
05-09-20: Mildred Pierce (1945)
05-16-20: The Crimson Kimono (1959)
05-23-20: Cornered (1945)
05-30-20: A Kiss Before Dying (1956)
06-06-20: The Underworld Story (1950)
06-13-20: Murder by Contract (1958)
06-20-20: Underworld U.S.A. (1961)
06-27-20: The Lady from Shanghai (1947)
07-04-20: The Sign of the Ram (1948)
07-11-20: Bodyguard (1948)
07-18-20: Three Strangers (1946)
07-25-20: The Breaking Point (1950)
Lots of chroma and weaving. Bad, old transfer. Apt comparison with The Great Escape although the Nazis never killed anyone with "kindness."Sign of the Ram. More of a melodrama than a Noir. About the only thing this has in common with John Sturges later, more famous work, is that it was perhaps harder to escape from Leah and the Bastions than from a WWII German prison camp.
Funny, but I did see tints of color or edges of blue on some frames, so when Muller says there were intents to have parts colorized, I knew I wasn't seeing things. Otherwise the print looked okay to me, with some damaged areas. The film itself I struggled with to hold my interest. Having been recently confined to a wheelchair myself due to a rare autoimmune disorder, I was encouraged to hear about Peters' successful return to the screen and her chosen profession after her accident, but I should have stopped paying attention to her biography there.
Wayne,Sign of the Ram. More of a melodrama than a Noir. About the only thing this has in common with John Sturges later, more famous work, is that it was perhaps harder to escape from Leah and the Bastions than from a WWII German prison camp.
Funny, but I did see tints of color or edges of blue on some frames, so when Muller says there were intents to have parts colorized, I knew I wasn't seeing things. Otherwise the print looked okay to me, with some damaged areas. The film itself I struggled with to hold my interest. Having been recently confined to a wheelchair myself due to a rare autoimmune disorder, I was encouraged to hear about Peters' successful return to the screen and her chosen profession after her accident, but I should have stopped paying attention to her biography there.
Jose,Lots of chroma and weaving. Bad, old transfer. Apt comparison with The Great Escape although the Nazis never killed anyone with "kindness."