Mitchell Kaufman
Agent
- Joined
- Mar 17, 2001
- Messages
- 41
I'm referring to Rosemary's Baby.
I've just gotten done watching this projected to approximately 100 inches for the first time (after having seen it only on a 35-inch direct-view), and found it to be an absolutely stunning piece of work.
That's not to say it looks like it was filmed yesterday. Quite the contrary: it's got a fine patina of grain overlaying it throughout, and it's got a mono soundtrack.
But it was a marvelously photographed film. On the DVD, except for some very minimal EE, it looks exactly as I remember it looking on a huge movie screen back in 1969. The color, including fleshtones, is spot-on, as is contrast. Aside from the aforementioned EE (which is virtually nonexistent compared to most releases), there's nary a digital artifact to be seen: no mosquito noise, no patchy areas, no DVNR artifacts. And that mono soundtrack wasn't monkeyed with; it comes through loud and clear.
These may be some of the reasons why this disc looks more like film than most anything I've seen.
What is the lesson to be learned here, if any?
While this film was obviously transferred and authored with loving care--and by people with very good eyes--could it also be that they were content to just leave well enough alone?
For all the praise lavished on LVI, I must tell you I'm glad they didn't get their hands on this one.
This disc has been floating around for awhile now, so I apologize if this isn't exactly news. But it's a terrific film, magnificently presented on DVD; if you haven't gotten it yet, run, don't walk.
MK
I've just gotten done watching this projected to approximately 100 inches for the first time (after having seen it only on a 35-inch direct-view), and found it to be an absolutely stunning piece of work.
That's not to say it looks like it was filmed yesterday. Quite the contrary: it's got a fine patina of grain overlaying it throughout, and it's got a mono soundtrack.
But it was a marvelously photographed film. On the DVD, except for some very minimal EE, it looks exactly as I remember it looking on a huge movie screen back in 1969. The color, including fleshtones, is spot-on, as is contrast. Aside from the aforementioned EE (which is virtually nonexistent compared to most releases), there's nary a digital artifact to be seen: no mosquito noise, no patchy areas, no DVNR artifacts. And that mono soundtrack wasn't monkeyed with; it comes through loud and clear.
These may be some of the reasons why this disc looks more like film than most anything I've seen.
What is the lesson to be learned here, if any?
While this film was obviously transferred and authored with loving care--and by people with very good eyes--could it also be that they were content to just leave well enough alone?
For all the praise lavished on LVI, I must tell you I'm glad they didn't get their hands on this one.
This disc has been floating around for awhile now, so I apologize if this isn't exactly news. But it's a terrific film, magnificently presented on DVD; if you haven't gotten it yet, run, don't walk.
MK