Mel W
Auditioning
- Joined
- Dec 4, 2002
- Messages
- 3
Contrast Ratio, what is it, how is it computed and does it really tell us anything of value?
This topic as mentioned in many recent reviews and equipment promotions has been bothering me for awhile now, so I thought I'd do some reading to find out what Contrast Ratio (CR) is. After you wade through all of the theory, contrast ratio is fairly easy to understand. Basically contrast ratio is another way to define the dynamic range of the difference in brightness of light. As in sound recordings, the larger the dynamic range the more realistic the sound, the same holds true for light. The larger the dynamic range (CR) of light the more realistic the picture.
Let's break Contrast Ratio into its component words and look at each. Contrast is the difference between light and dark items whether they are paint or light, in our video world mainly light. Ratio is the mathematical comparison of the difference of two similar measurements. The typical expression of this comparison is normally in the form of X:1 or something-to-one. So therefore CR would be the expressed difference between white and black (light and dark) in our images.
To derive the value of X for our expression of something-to-one, we use the formula C = Y1/Y2, where C is contrast, Y1 is our luminance measurement at the white point and Y2 is our measurement of black. Now the first step is to determine just how bright white (Y1) is (usually pretty easy) and how dark black (Y2) is (not so easy). By definition black is the absence of any light. This causes a problem in the formula as dividing anything by zero yields an undefined answer. Well that doesn't give us a valid ratio. So what do we do? Apparently we need to assign some value other than zero to the Y2 factor. But what should this value be and how large or small a value? Let's look at the recommended ways to measure contrast for electronic display devices, full on-full off and checkerboard. Well full on-full off seems easy enough: you take a reading of the set with it off and then with it on displaying a maximum white field. With the set off, obviously there is no light being produced so our value would be zero no matter how sensitive our measurement equipment is. That won't work as we already know that a ratio can't be found by dividing by zero. So what about the checkerboard? This pattern displays alternating areas of black and white information on the display. Since we know that all machines do not perform exactly to theory, then we know that there will be some small amount of light produced in the black area since the unit is operating. The value derived for black will depend upon how sensitive our measuring equipment is and how close to theory the device works.
For computational arguments sake, let's use some values representative of the calibration industry. For most calibrators, they use a solid state detector that reads luminance accurately down to 0.1ftL (foot Lamberts). A few "Top Gun" calibrators use a meter capable of reading down to .01ftL. Any light lower than that and the instruments return either a bad number or zero. Well we don't want to use bad numbers, and we can't use zero, so let's use the lowest known accurate point of luminance detection. For comparison we'll do the same thing for a typical lab grade meter, the cut off point of which is 0.001ftL. Let's look at some computations using these figures with readings from typical installations and with the meters reading the same display. (Results rounded for clarity)
----------------------------------------------------------------------------------------------------|
------------------|Contrast Ratio (X:1) for display device set to--|-------------------------|
------------------|100IRE with typical light output.-----------------|-------------------------|
------------------|-------------------------------------------------------|-------------------------|
Measurement--| Front------| Rear------| Direct View-| Plasma---|Examples of-----------|
device low-----| Projector--| Projector-| output in---| output in-|typical------------------|
end cut off-----| output in-| output in-| ftL 34-------| ftL 55-----|equipment-------------|
-----------------| ftL 12------| ftL 21----| --------------| ------------|used--------------------|
-----------------|--------------|------------|--------------|-------------|--------------------------|
0.16------------| 75----------| 131-------| 213---------| 344--------|Sencore 5000,---------|
-----------------| -------------| -----------| --------------| ------------|Progressive------------|
-----------------| -------------| -----------| --------------| ------------|Labs CA1-SE-----------|
-----------------| -------------| -----------| --------------| ------------|etc.---------------------|
-----------------|--------------|------------|---------------|------------|--------------------------|
0.01------------| 1200-------| 2,100-----| 3,400-------| 5,500-----|Minolta CS-100a-------|
-----------------|--------------|------------|--------------|-------------|--------------------------|
0.001-----------| 12,000----| 21,000----| 34,000-----| 55,000----|Photo Research--------|
-----------------| -------------| -----------| -------------| -------------|PR-705/715------------|
-----------------| -------------| -----------| -------------| -------------|(lab grade)-------------|
-----------------------------------------------------------------------------------------------------|
Just what does this show us? First, the ability of the measurement equipment to measure small amounts of light (Y2) drastically changes the numeric value of the ratio. Secondly, maximum light output also drastically changes the CR. Thirdly, even knowing what instrument was used and its capability, we have no reason to take any published value as an indication of display performance, as the above table shows a CR of 75 is the same as one of 12,000 with everything but the measuring device being equal. If, and only if, all displays were set up and measured identically with the same meter would there be any basis for an objective comparison as to their contrast ratio capability.
How does all this translate to the real world? Let's look at some contrast ratios that scientists have determined over several years of experimentation to be typical results. Since the scientists used lab grade equipment for their determinations, we'll use the same level of readings from our chart above. Film has a typical CR of 100:1 (most sensitive film is +- 120:1), video cameras produce results in the 30:1-40:1 range, film projectors can produce CRs of 200:1 or greater. Using these figures we see that any video projector (or other display technology) can easily reproduce the CR of our best source material (film).
How does the human eye compare to our source material in it's ability to discern the brightness dynamic range? The human eye on average sees life at a CR of 800:1, it can, when coming from a totally black environment to a bright one discern 1200:1 (this is called the chemical state CR). Obviously we can see a lot better than most of our instrumentation and certainly better than all of our video sources.
What does this mean in regards to the manufacturers contrast ratio claims?
Basically, you have no idea with what or how they made their measurements, whether the display was properly calibrated before doing the measuring, probably (or a random pick off the assembly line, doubtful). Therefore any device capable of achieving a CR of 120:1 or better will faithfully reproduce our current best source material when properly calibrated. When the display can produce a CR of 200:1 or greater then a faithful cinema experience can be enjoyed. Now should the device be able to achieve a ratio of 800:1 then you match what the eye sees in life. Anything else is over kill.
And over kill is exactly what we have in these claims! CRs of 500:1, 2,000:1, 3,000:1 and even 5,000:1 far exceed the human eyes capability to see, as well as that of our best film or theater. Practically every type of display we currently have is capable of showing us a lifelike dynamic range of light. What we need are better sources of video information, something capable of coming near the ability of our eyes, not display sources with inflated specifications.
Just remember to have your display system calibrated so that it will do the best possible job of displaying what is available.
Copyright (c) June, 2003 by DavLyn HTC. All rights reserved.
Mel
DavLyn HTC
This topic as mentioned in many recent reviews and equipment promotions has been bothering me for awhile now, so I thought I'd do some reading to find out what Contrast Ratio (CR) is. After you wade through all of the theory, contrast ratio is fairly easy to understand. Basically contrast ratio is another way to define the dynamic range of the difference in brightness of light. As in sound recordings, the larger the dynamic range the more realistic the sound, the same holds true for light. The larger the dynamic range (CR) of light the more realistic the picture.
Let's break Contrast Ratio into its component words and look at each. Contrast is the difference between light and dark items whether they are paint or light, in our video world mainly light. Ratio is the mathematical comparison of the difference of two similar measurements. The typical expression of this comparison is normally in the form of X:1 or something-to-one. So therefore CR would be the expressed difference between white and black (light and dark) in our images.
To derive the value of X for our expression of something-to-one, we use the formula C = Y1/Y2, where C is contrast, Y1 is our luminance measurement at the white point and Y2 is our measurement of black. Now the first step is to determine just how bright white (Y1) is (usually pretty easy) and how dark black (Y2) is (not so easy). By definition black is the absence of any light. This causes a problem in the formula as dividing anything by zero yields an undefined answer. Well that doesn't give us a valid ratio. So what do we do? Apparently we need to assign some value other than zero to the Y2 factor. But what should this value be and how large or small a value? Let's look at the recommended ways to measure contrast for electronic display devices, full on-full off and checkerboard. Well full on-full off seems easy enough: you take a reading of the set with it off and then with it on displaying a maximum white field. With the set off, obviously there is no light being produced so our value would be zero no matter how sensitive our measurement equipment is. That won't work as we already know that a ratio can't be found by dividing by zero. So what about the checkerboard? This pattern displays alternating areas of black and white information on the display. Since we know that all machines do not perform exactly to theory, then we know that there will be some small amount of light produced in the black area since the unit is operating. The value derived for black will depend upon how sensitive our measuring equipment is and how close to theory the device works.
For computational arguments sake, let's use some values representative of the calibration industry. For most calibrators, they use a solid state detector that reads luminance accurately down to 0.1ftL (foot Lamberts). A few "Top Gun" calibrators use a meter capable of reading down to .01ftL. Any light lower than that and the instruments return either a bad number or zero. Well we don't want to use bad numbers, and we can't use zero, so let's use the lowest known accurate point of luminance detection. For comparison we'll do the same thing for a typical lab grade meter, the cut off point of which is 0.001ftL. Let's look at some computations using these figures with readings from typical installations and with the meters reading the same display. (Results rounded for clarity)
----------------------------------------------------------------------------------------------------|
------------------|Contrast Ratio (X:1) for display device set to--|-------------------------|
------------------|100IRE with typical light output.-----------------|-------------------------|
------------------|-------------------------------------------------------|-------------------------|
Measurement--| Front------| Rear------| Direct View-| Plasma---|Examples of-----------|
device low-----| Projector--| Projector-| output in---| output in-|typical------------------|
end cut off-----| output in-| output in-| ftL 34-------| ftL 55-----|equipment-------------|
-----------------| ftL 12------| ftL 21----| --------------| ------------|used--------------------|
-----------------|--------------|------------|--------------|-------------|--------------------------|
0.16------------| 75----------| 131-------| 213---------| 344--------|Sencore 5000,---------|
-----------------| -------------| -----------| --------------| ------------|Progressive------------|
-----------------| -------------| -----------| --------------| ------------|Labs CA1-SE-----------|
-----------------| -------------| -----------| --------------| ------------|etc.---------------------|
-----------------|--------------|------------|---------------|------------|--------------------------|
0.01------------| 1200-------| 2,100-----| 3,400-------| 5,500-----|Minolta CS-100a-------|
-----------------|--------------|------------|--------------|-------------|--------------------------|
0.001-----------| 12,000----| 21,000----| 34,000-----| 55,000----|Photo Research--------|
-----------------| -------------| -----------| -------------| -------------|PR-705/715------------|
-----------------| -------------| -----------| -------------| -------------|(lab grade)-------------|
-----------------------------------------------------------------------------------------------------|
Just what does this show us? First, the ability of the measurement equipment to measure small amounts of light (Y2) drastically changes the numeric value of the ratio. Secondly, maximum light output also drastically changes the CR. Thirdly, even knowing what instrument was used and its capability, we have no reason to take any published value as an indication of display performance, as the above table shows a CR of 75 is the same as one of 12,000 with everything but the measuring device being equal. If, and only if, all displays were set up and measured identically with the same meter would there be any basis for an objective comparison as to their contrast ratio capability.
How does all this translate to the real world? Let's look at some contrast ratios that scientists have determined over several years of experimentation to be typical results. Since the scientists used lab grade equipment for their determinations, we'll use the same level of readings from our chart above. Film has a typical CR of 100:1 (most sensitive film is +- 120:1), video cameras produce results in the 30:1-40:1 range, film projectors can produce CRs of 200:1 or greater. Using these figures we see that any video projector (or other display technology) can easily reproduce the CR of our best source material (film).
How does the human eye compare to our source material in it's ability to discern the brightness dynamic range? The human eye on average sees life at a CR of 800:1, it can, when coming from a totally black environment to a bright one discern 1200:1 (this is called the chemical state CR). Obviously we can see a lot better than most of our instrumentation and certainly better than all of our video sources.
What does this mean in regards to the manufacturers contrast ratio claims?
Basically, you have no idea with what or how they made their measurements, whether the display was properly calibrated before doing the measuring, probably (or a random pick off the assembly line, doubtful). Therefore any device capable of achieving a CR of 120:1 or better will faithfully reproduce our current best source material when properly calibrated. When the display can produce a CR of 200:1 or greater then a faithful cinema experience can be enjoyed. Now should the device be able to achieve a ratio of 800:1 then you match what the eye sees in life. Anything else is over kill.
And over kill is exactly what we have in these claims! CRs of 500:1, 2,000:1, 3,000:1 and even 5,000:1 far exceed the human eyes capability to see, as well as that of our best film or theater. Practically every type of display we currently have is capable of showing us a lifelike dynamic range of light. What we need are better sources of video information, something capable of coming near the ability of our eyes, not display sources with inflated specifications.
Just remember to have your display system calibrated so that it will do the best possible job of displaying what is available.
Copyright (c) June, 2003 by DavLyn HTC. All rights reserved.
Mel
DavLyn HTC