Jeff Kleist
Senior HTF Member
- Joined
- Dec 4, 1999
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http://www.trektoday.com/news/171202_02.shtml
Well, no shit sherlock. It also could have been GOOD
Well, no shit sherlock. It also could have been GOOD
Seriously, given this Trek-saturated era (remember, we once had DS9 and Voyager running simultaneously), I doubt that even good scripts can save the franchise now.What you say has merit, Jack, but I do think quality will win out. Consider Law & Order; while it's not a niche show like Trek has been since TNG, it certainly has saturated (three shows on NBC, two of which run on USA, with reruns on TNT after propping up A&E's schedule for years). And yet, it's still tremendously successful, because the quality is there.
Now, if L&O were to suck for five years and then launch a comeback, would it work? Don't know; don't see it happening - Dick Wolf is smart enough to keep it from getting stale, by regularly turning over the cast and crew.
Don't forget, TNG and DS9 ran concurrently for a while, too, and that certainly didn't hurt the franchise. It wasn't until Voyager arrived, and underwhelmed, that the ratings started to tail off.
Indeed, what the franchise might need is a little more saturation. Create a second show (Jake Sis... ) that creates some excitement around the franchise, reminds people why they love Star Trek, and it might draw more people to Enterprise, the next movie, etc.
The only way I can really see shutting down as helpful is if it purges B&B and, when things are restarted, they're restarted with great, energetic writer/producers (Jane Espenson, Thania St. John... Hell, throw a lot of money at Joss Whedon). It's probably too late to save Enterprise; I can't think of a show that's been revamped and gained audience. But make a splash and see what happens.
I honestly don't think he'd really work on the show. MAYBE TOS but no other Treks.I'm not saying stick him on Enterprise. I'm saying hire him to creat the next show with the sole stipulation that it takes place in the TNG/DS9/Voyager era and let him do whatever the hell he wants. He might not do it because he doesn't want to be a hired hand, but there's got to be a part of him that would find being in charge of Star Trek (have Rick Berman's job) awful tempting.
If not Joss, though, bring some heavy artillery to the next series. That was partly the idea with Bakula, but do something that will get noticed beyond sci-fi fandom. Get Steve Bochco, say, or look through the talent deals Paramount has. Who expected Kiefer Sutherland to be doing TV two years ago?
The mistake Paramount is making is that they're taking their most recognizable brand and stuffing it with lesser ingredients. When casting Enterprise, they were talking about guys who would be happy to be working - who'd heard of anyone but Bakula?
Instead, cast and crew this like you would a show for a big-three network, and then give them something to work with. Paramount can afford to - it's Star Trek. Give it a chance to be Star Trek again.
Law & Order's also not a "science-fiction" ("niche") show, upon which---and I've said this many times over---the burdens of producing and maintaining suspension of disbelief are so much greater than on run-of-the-mill earthbound fiction. No way saturating the place with Trek will be good or successful at this point. In the older first-syndication markets of the 80's and early 90's maybe. Not now.
I do agree with you that taking the backdrop out of the usual Trek milieu of 24th century and "Alpha Quadrant" has been one of Paramount's big, BIG blunders. Also, totally exploiting your backstory to me is like eating your own young.
But will Paramount Television ever learn?
a "science-fiction" ("niche") show, upon which---and I've said this many times over---the burdens of producing and maintaining suspension of disbelief are so much greater than on run-of-the-mill earthbound fiction.Well, sure. The point is, if it wasn't good, it would have burned itself out. Wolf & Universal have made sure that doesn't happen, though, whereas Paramount has allowed B&B to malinger, and that's not healthy for anyone, long-term - not Star Trek, and not them. When they finally leave Trek, will they find work as quickly as the folks from DS9.
So maybe Star Trek: Series Six will have to be great, week-in, week-out. I'm not saying it will be easy - but it won't be easy five years from now, either. And if a lay-off just means it can come back half-assed and be successful in the ratings because it "seems" new (or, worse, nostalgic) - well, screw that.
The things about Star Trek is that in this day and age, it's one of the few sci-fi properties that can be as complex as a "regular" TV show but doesn't have to get relegated to niche status on television. TOS and TNG were popular enough that the general public knows Vulcans, Klingons, Romulans, Warp Drive, Transporters, Borg, and Ferengi, even if they've never watched the show. Work with that, at least at first - they're what people know, so they're what will draw the audience in.
And then, when producing the show, don't settle for less than you woud if you were producing ER or NYPD Blue or, yes, Law & Order. Just because the sci-fi audience has traditionally settled for less isn't an excuse.
Aside: I got so sick of how, last month, the good reviews of Solaris were about how, because it was character-focused and, well, good, it "wasn't really science fiction". Well, it was, and is, and that's what Star Trek should aspire to - being of such high quality that people associate it with great TV shows, not science-fiction, even if it is exposing the audience to completely SFnal ideas.
Do all this, and Star Trek can be huge again. I think Paramount's problem is that they're not shooting high enough - TOS and TNG were mainstream successes, and the franchise is uniquely positioned to be one again, if Paramount were to go for that, rather than worrying about drawing a specific demographic to a second-rate network.
It has almost never done that. Its creator, Gene Roddenberry, never made any bones about what the show was to be: "Wagon Train to the stars". It was always conceived as, and has pretty much always been, an "action-adventure" show in a futuristic, deep-space setting, that, oh, by the way, had the intelligence and the luxury of actually exploring some real "science-fictional" ideas on occasion.TOS said:Quote: