Gary Rydstrom joined them as well. He had previously done all of Pixar's sound design (at Skywalker Sound), "The Incredibles" was handed over to Randy Thom (who also did "War of the Worlds"). Is he next?
By the way, Gary is responsible for many of the best soundtracks of all time..."Saving Private Ryan", "Casper", "Jurassic Park", most Pixar films, most Speilberg films of the 90's and 00's, "Jumanji", etc.
I think it's because animated films are a goldmine for sound designers because most, if not all, of the audio heard is done from scratch with no on-set interferances to deal with, they can go nuts and let their imaginations run wild on the sound mix.
I think the closest thing Gary had to a "protégé" was Chris Boyes- who was his assistant for half a decade.
I think the choice of Randy Thom for The Incredibles had more to do with the fact that Brad Bird had worked with him on 'The Iron Giant' than anything else.
Well, Randy was also the sound designer for "War of the Worlds" which would surely have been a Rydstrom project had he not left Skywalker. Coincidence?
Yes he is. Unfortunately, I haven't cared for his mixing on most of the PT and the OT DVDs. Apparently that was toned down on ROTS because the mix was much better, IMHO.
I'm also not sure about his editing skills, though GL was so involved that it's tough to say whether some of the editing problems with the PT were because of GL or Burtt. Though, again, the editing in ROTS was much better and Burtt was not part of the editing process in ROTS.
I too thought the editing on ROTS was much better but I tend to put the responsibility for the editing in all of the prequels on Lucas's shoulders. The DVDs make it pretty clear that what Lucas says he gets and it didn't seem that he was very receptive for others' ideas on TPM and AOTC. I think that changed in many areas on Sith which is what made it such a better movie.
Sorry about that...he was a co-editor. Still, it's safe to assume he had less involvement than on TPM and AOTC.
BTW--any editing problems that do exist in TPM and AOTC are mostly interscene cutting, not intrascene cutting. The scenes themselves flow nicely, but it's the cutting back and forth between scenes that left something to be desired, from an editing standpoint.
Burtt is a Genius Sound guy. The documentaries where he explains how/when/why he chose the sounds to record are really cool. That being said, Chris is right about some of the editing stuff in TPM & AOTC.
The sound mix on the OT dvds are a truly holosonic experience but there could've been a way to have new sounds placed there, increased dynamics etc....AND make sure that the Oscar Winning Score was heard.
Burtt will be great with Rydstrom at Pixar though. I'm sure he and Lucas will remain friends. I've always thought of them being rather close.