Adam Lenhardt
Senior HTF Member
The new animated Batman series from Bruce Timm, J.J. Abrams, Matt Reeves, and Ed Brubaker that David Zaslav infamously tried to shelve for a tax write-off premiered today on Prime Video.
The style is very similar to "Batman: The Animated Series", probably the most similar to that series of everything that has come sense. But whereas that series had a sort of retro-futurism that combined elements of the past and future, this series full commits to the 1940s setting and all of the shots are clearly inspired by the film noirs of that period. Batman's costume looks like a cross between the early Bob Kane-drawn comics and Lewis Wilson's costume from the 1943 Columbia Pictures serial.
The time period features all of the misogyny you'd expect of the time period, but oddly none of the racism. This version of Commissioner Gordon is black, and his daughter Barbara (here, a feisty public defender) is biracial. A number of other important characters are reimagined in ways large and small.
At the start of the series, Batman is focused on taking down prohibition-era mobsters in a Gotham that feels very much like any other late Depression-era American city. But when Oswalda Cobblepot decides to branch out from her lounge act and casino boat into organized crime, she opens up the flood gates for freaks and monsters.
Hamish Linklater is well cast as the new Bruce Wayne/Batman. His Batman sounds very much like Kevin Conroy's, while his Bruce is different but no less distinct.
Two episodes in, and I'm enjoying it. There's just enough different that I can't assume that things will play out as I might expect them to.
The style is very similar to "Batman: The Animated Series", probably the most similar to that series of everything that has come sense. But whereas that series had a sort of retro-futurism that combined elements of the past and future, this series full commits to the 1940s setting and all of the shots are clearly inspired by the film noirs of that period. Batman's costume looks like a cross between the early Bob Kane-drawn comics and Lewis Wilson's costume from the 1943 Columbia Pictures serial.
The time period features all of the misogyny you'd expect of the time period, but oddly none of the racism. This version of Commissioner Gordon is black, and his daughter Barbara (here, a feisty public defender) is biracial. A number of other important characters are reimagined in ways large and small.
At the start of the series, Batman is focused on taking down prohibition-era mobsters in a Gotham that feels very much like any other late Depression-era American city. But when Oswalda Cobblepot decides to branch out from her lounge act and casino boat into organized crime, she opens up the flood gates for freaks and monsters.
Hamish Linklater is well cast as the new Bruce Wayne/Batman. His Batman sounds very much like Kevin Conroy's, while his Bruce is different but no less distinct.
Two episodes in, and I'm enjoying it. There's just enough different that I can't assume that things will play out as I might expect them to.