Adam_S
Senior HTF Member
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- Adam_S
This is something that has been floating around in my mind for sometime now. Are we entering into a new era of film?
There are generally recognized five broad periods of film:
Silent 1896-1928
Classical - 1928-1941/5
Post-classical - 1946-1962
Modernist - 1963-1977
Post-modernist - 1977-present
Now for all of these films there was no singular event (with the exception of sound invention) that caused a transition, things were moving towards a new era already. Yes, World War II was a major event that drastically and forever changed all filmmaking in Europe (and America, but to a less dramatic extent), but look at the things going on just before the film, Citizen Kane is the big one that irrevocably changed filmmaking, but even other films such as How Green Was My Valley have multiple character arcs, a critical attitude towards industrial capitalism, goalless plots, or other films such as The Lady Eve and Mr. Skeffington with decidedly refreshing feminine characters. Treasure of the Sierra Madre (Huston's first post war film) is another excellent example.
Than in the post classical era we have all those wonderful periods such as italian neorealism, film noir, the french new wave emerging etc. In america films like Rebel without a cause and Who's Afraid of Virginia wolf began to push the production code as far as it would go. Stanley Kubrick made Paths of Glory. Billy Wilder's films, Some Like it Hot, The Apartment, One, Two Three, (1959-61) all deal with subject matter explicit enough they likely would not have been made as such just after the war.
Then the Ratings Board was established in 1962, and the French New Wave began to have a full affect on American generation, just as the first generation of the baby boomers began to graduate filmschool and start up in the industry. These same filmmakers, civil rights conscious and deeply imbued in films, began to have great freedom and a fair lack of restraint, The Godfather films came out in the 70's Midnight Cowboy, rated X won best picture, A Clockwork orange was made. Jaws came out to pave the road for Star Wars.
1977 Star Wars came out and the summer was open season on blockbusters. The next generation of filmmakers began to break down the moderist style and all previous styles as well, questioning everything, from storytelling structure to what was culturally permissable, films like Full Metal Jacket, Robocop, Basic Instinct, and Natural Born Killers are touchstones of this sort of filmmaking
So look back on the time periods, and you see that each period lasts almost no longer than a quarter centery, I think since it's been 25 years since Star Wars a new era of filmmaking is on us. Filmmaking is organic and constantly changing, its necessary that it has changed enough over 25 years that postmodernism will no longer be a sufficient label. I'm NOT saying that because X years have passed we must have a revolution, rather I'm saying that we should start recognizing a new era of filmmaking is upcoming or even upon us. look at what we've been seeing, Spielberg made AI, Minority Report and now Catch Me if You Can in the last three years, AI in particular is especially impressive as entirely fresh filmmaking from him. Scorsese is releasing a massive epic that is more of a crowd pleaser than any other Scorsese film we've yet seen from him. Films like Waking Life, animated but adult are coming out, and of course there is Pixar films, which to me embody a fundamental shift in animated movies of recent years. Disney is beginning to experiment (Lilo and Stitch), and the writers are becooming more recognized (all the press on the Charlie Kaufman movies). Then of course there's the effect the internet may have on filmmaking or has already had, as well as the recent swell in independent flmmaking that all point to me that this era (post modernism) crested sometime in the last 15 years, and there is a distinct if as of yet unseen shift towards a new era of filmmaking.
If you'll also notice above there are major events that give each era an ending and beginning date, by no means do the films around these dates magically become one era from being made in x or y year, but they are more landmarks, touchstones that signified the beginning of a major shift in filmmaking. The question to me is, what is this next shift? the most obvious filmmaking answer is Lord of the Rings, the gigantic return of the epic in a nine hour tripartite film but drastically different from other epics that have preceded it. I think we'll be feeling the echos from this filmaking achievement for quite sometime. however some may feel that the War on Terrorism is going to be more influential, and globally it may, especially if this leads into a third world war.
What do you think?
Adam
There are generally recognized five broad periods of film:
Silent 1896-1928
Classical - 1928-1941/5
Post-classical - 1946-1962
Modernist - 1963-1977
Post-modernist - 1977-present
Now for all of these films there was no singular event (with the exception of sound invention) that caused a transition, things were moving towards a new era already. Yes, World War II was a major event that drastically and forever changed all filmmaking in Europe (and America, but to a less dramatic extent), but look at the things going on just before the film, Citizen Kane is the big one that irrevocably changed filmmaking, but even other films such as How Green Was My Valley have multiple character arcs, a critical attitude towards industrial capitalism, goalless plots, or other films such as The Lady Eve and Mr. Skeffington with decidedly refreshing feminine characters. Treasure of the Sierra Madre (Huston's first post war film) is another excellent example.
Than in the post classical era we have all those wonderful periods such as italian neorealism, film noir, the french new wave emerging etc. In america films like Rebel without a cause and Who's Afraid of Virginia wolf began to push the production code as far as it would go. Stanley Kubrick made Paths of Glory. Billy Wilder's films, Some Like it Hot, The Apartment, One, Two Three, (1959-61) all deal with subject matter explicit enough they likely would not have been made as such just after the war.
Then the Ratings Board was established in 1962, and the French New Wave began to have a full affect on American generation, just as the first generation of the baby boomers began to graduate filmschool and start up in the industry. These same filmmakers, civil rights conscious and deeply imbued in films, began to have great freedom and a fair lack of restraint, The Godfather films came out in the 70's Midnight Cowboy, rated X won best picture, A Clockwork orange was made. Jaws came out to pave the road for Star Wars.
1977 Star Wars came out and the summer was open season on blockbusters. The next generation of filmmakers began to break down the moderist style and all previous styles as well, questioning everything, from storytelling structure to what was culturally permissable, films like Full Metal Jacket, Robocop, Basic Instinct, and Natural Born Killers are touchstones of this sort of filmmaking
So look back on the time periods, and you see that each period lasts almost no longer than a quarter centery, I think since it's been 25 years since Star Wars a new era of filmmaking is on us. Filmmaking is organic and constantly changing, its necessary that it has changed enough over 25 years that postmodernism will no longer be a sufficient label. I'm NOT saying that because X years have passed we must have a revolution, rather I'm saying that we should start recognizing a new era of filmmaking is upcoming or even upon us. look at what we've been seeing, Spielberg made AI, Minority Report and now Catch Me if You Can in the last three years, AI in particular is especially impressive as entirely fresh filmmaking from him. Scorsese is releasing a massive epic that is more of a crowd pleaser than any other Scorsese film we've yet seen from him. Films like Waking Life, animated but adult are coming out, and of course there is Pixar films, which to me embody a fundamental shift in animated movies of recent years. Disney is beginning to experiment (Lilo and Stitch), and the writers are becooming more recognized (all the press on the Charlie Kaufman movies). Then of course there's the effect the internet may have on filmmaking or has already had, as well as the recent swell in independent flmmaking that all point to me that this era (post modernism) crested sometime in the last 15 years, and there is a distinct if as of yet unseen shift towards a new era of filmmaking.
If you'll also notice above there are major events that give each era an ending and beginning date, by no means do the films around these dates magically become one era from being made in x or y year, but they are more landmarks, touchstones that signified the beginning of a major shift in filmmaking. The question to me is, what is this next shift? the most obvious filmmaking answer is Lord of the Rings, the gigantic return of the epic in a nine hour tripartite film but drastically different from other epics that have preceded it. I think we'll be feeling the echos from this filmaking achievement for quite sometime. however some may feel that the War on Terrorism is going to be more influential, and globally it may, especially if this leads into a third world war.
What do you think?
Adam