I read something like the too, but the irony is that with DVD pretty much all major motion pictures are available in their OAR. You would think that Directors could use a true scope process more often since the Widescreen version would almost certainly be made available on DVD, but anamorphic filmmaking is becoming a thing of the past. Now I know that there are more technical reasons that Super35 is used and that it's not just about an eventual 1.33:1 presentation, but I'm sure it definately a factor some of the time.