Ted Ross
Second Unit
- Joined
- Dec 13, 2001
- Messages
- 394
Man, I must have bought a fake version at Walmart. I have the DD version i I thought it was one of the worst transfers I have seen in a while-it looks like a dupe from a tape!
This thread seems to support the view that dolby digital done well is just as good sonically, even when compared to full-bitrate dts.Hmm, I wouldn't quite agree with that. A solid DD track holds up well against a rather uninspired DTS track in this case, but that doesn't really tell us anything. Apollo 13 wouldn't rank in the top half of the soundtracks in my collection...
To quote a coach I worked with for a few years, "you can't make chicken salad out of chicken sh!t." I suspect full-bitrate DTS isn't all that meaningful if the material isn't overly dynamic in the first place.
Dan
Apollo 13 did win the Oscar for Best Sound in 1996Actually, the ceremony was held in 1996, but the film was a 1995 release, as were the other films mentioned.
AJG
And for anyone to think that they are actually LOSING image content when watching a 2.35:1 scope ratio film is ludicrous!No, it's not. Welcome to Super-35, baby!
No, it's not. Welcome to Super-35, baby!Still, it's the same AR (2.35:1), with much, much MORE of the original camera image area being displayed on our TVs via the DVD...certainly not LESS (as some people seem to want to believe). Correct?
No. You're actually getting less. However, you're not getting the director's intent.You meant to say that with a WS Super-35 transfer, we ARE getting the Director's intent. Right?
I will amend my orig. thought to:
We're certainly not LOSING any relevent image information via a Super-35 WS transfer, per what Ron Howard wanted the audience to see.