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Anyone gone mirrorless?

Discussion in 'Photography' started by Sam Posten, Jul 28, 2011.

  1. Sam Posten

    Sam Posten Moderator
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  2. Patrick Sun

    Patrick Sun Studio Mogul

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    While it's not the $300 I spent on the M1 years ago, the $780-ish price point ain't bad.
     
  3. Scott Merryfield

    Scott Merryfield Executive Producer

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    Maybe the M50 announcement will drive down the price some more on the M5. I have no need for 4K video
     
  4. Message #164 of 176 Mar 6, 2018
    Last edited: Mar 6, 2018
    JohnRice

    JohnRice Lead Actor

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    I don't know what anyone here thinks of Jared Polin, but THIS VIDEO cracked me up. Wait for it...''

    Sounds like 4K video on the M50 is pretty worthless, with a nearly 3x lens factor.
     
  5. Patrick Sun

    Patrick Sun Studio Mogul

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    That upcoming Sony A7III looks like a gateway drug when it comes to moving Canon users to Sony's Mirrorless line.

    I'm tempted to move away from my Canon 5D3's. But I can wait until after the initial wave of orders have been delivered, and see how things go for the converted users.
     
  6. Scott Merryfield

    Scott Merryfield Executive Producer

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    The idea of switching from my full sized dSLRs to another brand is completely unappealing to me. It's not just the body, but all the lenses and external flashes that need to be swapped out, unless you want to use an adapter for all your lenses. It's just not worth it to me -- my 5D3 and 7D2 can do everything I need at the moment. A Sony full frame mirrorless isn't going to improve my photography.

    Their smaller crop sensor cameras are more appealing to me, as I have very little money invested in Canon's solution. For me, a mirrorless body is a supplement to my larger bodies -- something small and lightweight when I want to travel less encumbered than with my larger gear.
     
  7. Sam Posten

    Sam Posten Moderator
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    For me it's an AND not an or. Luxury, I know.
     
  8. JohnRice

    JohnRice Lead Actor

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    What is the draw to move to full frame mirrorless? Small body size is always what's touted, but that does nothing for the lenses, and I find those tiny bodies extremely uncomfortable to use, especially once you mount a large lens on them. When I went from the D7100 to the D500, I was surprised how much more comfortable the larger body was to handle, even though it's unusually heavy. Of course, I'm 6' 6" and my hands aren't exactly small. When I decided to get something smaller and less expensive, I kind of assumed I'd go Sony Alpha 6xxx line, but the Nikon D5500 was infinitely more comfortable for me to handle. In the end, I liked the features better as well.
     
  9. Sam Posten

    Sam Posten Moderator
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    I don't have one but if I did it would be the Sony A7 R3 or S3. R3 for resolution, S for high ISO. Pair them with the G lenses like the 24-70 and you have a really nice light weight walk around kit. With built in 6 axis stabilization. Hard to beat that combo.
     
  10. Patrick Sun

    Patrick Sun Studio Mogul

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    Since I shoot Canon, a switch to the Sony A7III is a $200 Sigma MC11 adapter away if I wanted to continue to use my Canon lenses. And I don't use super-heavy glass (though I have 3 Sigma primes in my lineup, with 2 "slow" Canon F/4 zooms). I'm kinda done with my 5D3's sensor's shadow noise, I want a better sensor that allows me to push my RAW files when needed.

    I'd probably snag a battery grip to help with the ergonomics of the smaller mirrorless body (plus, I'm used to having battery grips on my Canons). But the eye-AF (for portrait shoots), and the in-body stabilization are nice feature of the Sony A7III for what I shoot nowadays. For $2k, it's a feature-rich body (easily could entertain a $2500-$3000 MSRP). I don't use on-camera flash, so I don't really need Sony-specific speedlites, but I would have to buy some Godox XPro-S(ony) triggers for my Godox lights. But I know I'd also incur the cost of the lens adapter, extra battery or two, a battery grip; so another $700 more to make the switch (or simply augment my camera stable). Anyhow, daydreaming out loud for the moment. :)

    But, I don't know how good the AF is for low light situations if you need to use an adapter with non-Sony glass, but in good light, it's fairly remarkable.



    .
     
  11. Scott Merryfield

    Scott Merryfield Executive Producer

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    B&H Photo had a good deal on the Canon EOS M50 mirrorless camera, so I bit on a package that includes the EF-M 15-45mm lens and the EF to EF-M adapter. We've been taking more short trips where I do not want to bring along my full size bodies, and my original EOS M is very limiting due to its lack of a viewfinder and poor auto focus performance. This should solve those two issues and still give me something compact for those types of trips. I plan on selling my EF-M 18-55mm lens, too, which will help reduce my cost. The 15-45mm lens is physically more compact and I would rather have a few extra mm on the wide end than the extra 10mm on the long end, so this lens's focal range should work better, too.
     
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  12. Scott Merryfield

    Scott Merryfield Executive Producer

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    My Canon EOS M50 arrived last Friday. I have not had much time to play with it yet, other than taking a few quick shots and video clips around the house to make sure it works. The camera is a little bigger than the original M that I also own -- just enough so that it will not fit in the pocket of my cargo shorts or pants. It does slip into a coat pocket fine, though. I ordered a wrist strap for it (don't really want a shoulder strap for something this small) and a 3rd party lens hood for the EFM 15-45mm lens (the Canon hood is $24, while the 3rd party one was $10).

    From the little I've used the camera, its auto focus seems miles better than the original EOS M. The viewfinder also works very well. Camera ergonomics are much better, too, but still not as good as my dSLRs. The one downside is that neither DxO PhotoLab nor Lightroom 6 support the new CR3 RAW files -- DxO will be adding it, but there's no hope for LR6. So, for now I will use either Canon's Digital Photo Professional or Adobe's free DNG convertor for the RAW files, and I am shooting RAW + jpeg as well (I always shoot RAW-only with my dSLRs).

    A friend wants to buy my EFM 18-55mm lens for his EOS M (he only has the 22mm f/2 pancake lens), so I just need to find out if he also wants my matching Marumi circular polarizing filter as well. If so, I will need to pick up a new 49mm CPL filter -- if not, I may just buy a 52mm - 49mm step down ring. The 18-55mm has a 52mm filter size, while the 15-45mm I'm keeping has a 49mm filter size. I didn't use the CPL much on the EOS M, mostly because it was difficult to rotate it to the proper position while using the back LCD screen. With an actual viewfinder now, it should hopefully be a lot easier to do -- more like I'm used to with a dSLR.
     
  13. 3D Projectionist

    3D Projectionist Second Unit

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    Talking of camera prices... I purchased a pocket 35mm camera made in 1972 off a market stall for £2.10 popped a film in it for a bit of holiday fun photography and the results were beautiful. Even the Selenium light meter still worked accurately.
     
  14. Scott Merryfield

    Scott Merryfield Executive Producer

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    A sorta macro shot taken handheld with the new Canon M50 and 15-45mm lens. The EF to EFM adapter I ordered with the camera is on backorder, so I cannot try any of my EF lenses yet -- including my Sigma 105mm macro.

    [​IMG]
     
  15. Cees Alons

    Cees Alons Moderator
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  16. Message #176 of 176 Jun 15, 2018 at 4:43 PM
    Last edited: Jun 15, 2018 at 8:07 PM
    Scott Merryfield

    Scott Merryfield Executive Producer

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    I had a chance to try out the new Canon M50 this morning, as we took our nieces and nephews to the local park. It gave me an opportunity to test out the auto focus system, as small children never stay still. ;) Once I figured out the best AF setting, the camera did a fine job of tracking my subject. The few out of focus shots when I started were completely user error.

    I used Adobe's RAW to DNG convertor, then imported the DNG files into Lightroom 6. That seems to be my best option for now until DxO adds support for the new Canon CR3 RAW file format to PhotoLab. DxO will not even import the DNG files, telling me it does not support that camera model.

    Here are a couple of shots of our grand niece:
    [​IMG]

    [​IMG]

    My wife and grand nephew:
    [​IMG]

    AF tracking for video worked well, too. I cannot figure out how to post a video clip, though -- the "media" function of the forum does not seem to like the videos I stored on my Smug Mug account.
     
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