Nothing yet. It's been 4 weeks, and the website does say 6-8 weeks for delivery. We'll see...
Originally Posted by Steve...O
Hi Mark Y ,
I have not been able to find out anything about the reason that the R1 collection of Roach talkies got stalled. From what I understand (and this originated from someone well connected to the L&H legacy), a set was supposed to come out this year but some issue popped up to to stop it.
Regarding the Agee set, I wouldn't hold my breath on this ever gettting released. If he can't bother to put together a publicity campaign that uses up to date artwork and which has been run through a basic spell checker I can only imagine that this project will be the latest in a long line of empty promises. One will note that none of the major L&H Sons of the Desert tent websites (including one that gave this project a lot of publicity several years back when it was first being discussed) make mention of this release. That is very telling. Having said that, I hope Agee surprises everyone and makes good this time.
That explains a lot. Thanks for the update.Originally Posted by GregoryMesh
Genius Entertainment is no more. Vivendi Entertainment now owns their library.
Isn't the anti-copy process that the Warner Archive uses on their DVD-Rs relatively new? Perhaps that's what these are.Originally Posted by Brandon Conway
There's hardly any new anti-piracy tech for DVD these days.
That's just an asumption based on assumed facts./forum/thread/248569/any-updates-on-the-ultimate-early-laurel-and-hardy-boxset/60#post_3712510
That would mean the claims of the discs being "pressed" on the website are false. So, either way, the accuracy of the product description is definitely in question.
Is Agee "Soft"? Seriously, who stores nitrate in a GARAGE in CALIFORNIA?! Might as well light a match and finish the job...Originally Posted by Bob Furmanek
Unfortunately, Mr. Agee has not always done what's best with the Laurel and Hardy materials in his care. When he began his "Lost Films" project, he brought in nitrate elements from around the world. He then made the rather appalling decision to store them for many years in his California garage. When the elements were finally acquired by UCLA, they discovered such irreplaceable treasures as the original 35mm nitrate camera negatives to BIG BUSINESS and YOU'RE DARN TOOTIN' had decomposed to the point of no return.