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- Neil Middlemiss
Marketing for Ad Astra appeared to suggest the central driving premise was baked around the search for life beyond the stars and a world-threatening event, but that isn’t really what the film is about. The threat to the solar system is a foundational layer upon which and entirely different journey is laid upon. Resolving the threat, addressing the question of “are we alone” isn’t something director James Gray is interested in answering. He cares more about how we as a species, collectively, have questions of what’s out there. I suppose, beneath the outward journey across the solar system, the universality and connected nature of our plight and potential as a species is the driving and simmering idea, and we follow that idea deeply, watching it take root and expression through Pitt’s character.
Ad Astra is a serious tale, letting its serious, ponderous tone permeate every moment up right to the closing seconds. Yet, despite all that seriousness, it manages to leave us with something...
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