Dan Hitchman
Senior HTF Member
- Joined
- Jun 11, 1999
- Messages
- 2,712
To pick nits, I also am wondering if the DTS and Dolby Digital 5.1 tracks (I usually find DTS compression to sound somewhat better to extremely better than Dolby IMHO, although I'd much rather have lossless or uncompressed high rez. PCM or DSD to the formats we're forced to live with now) will have the original theatrical directionalized dialog and sound effects.
The mono-centrically steered vocals on the older Sony LD, especially, are just all wrong for this grand movie. Mr. Harris, was the intent on the new Superbit LoA 5.1 tracks to be similar to your approach on Spartacus' Criterion DVD where those extreme dialog and sound effects pans were left intact (as they should be IMHO)?
Let me see if I can explain myself clearly enough... For anchoring purposes would you have placed sound effects and dialog originally on the screen center left and screen center right between the discrete center and the discrete left channel, and the discrete center and discrete right for phantom image placement since DTS and Dolby Digital do not have 5 discrete screen channels, only 3?
Today's superwide movies sound very weird to me because no matter where the person is on screen, the dialog is almost always solidly placed in the center channel. The Foley footfalls track the actors' movement, but not the speech. Sort of a disembodied feel.
I liked on Toy Story 1 and 2 how Gary Rydstrom added a bit of directionalized dialog to their mixes. Kind of brought me back to the good old, widescreen epic days!
Your thoughts and comments would be very appreciated, and thank you so much for your efforts on behalf of LoA so far. Hopefully, next up would be to be able to add the 65mm trailer and the rest of the excised footage that Lean wanted placed back in. I just hope the latter can be done before it's too late.
Further supervised tweaking of Bridge On The River Kwai, The Sound of Music (the current DVD is awful!), and Vertigo (to name just three) would be wonderful!
Dan
The mono-centrically steered vocals on the older Sony LD, especially, are just all wrong for this grand movie. Mr. Harris, was the intent on the new Superbit LoA 5.1 tracks to be similar to your approach on Spartacus' Criterion DVD where those extreme dialog and sound effects pans were left intact (as they should be IMHO)?
Let me see if I can explain myself clearly enough... For anchoring purposes would you have placed sound effects and dialog originally on the screen center left and screen center right between the discrete center and the discrete left channel, and the discrete center and discrete right for phantom image placement since DTS and Dolby Digital do not have 5 discrete screen channels, only 3?
Today's superwide movies sound very weird to me because no matter where the person is on screen, the dialog is almost always solidly placed in the center channel. The Foley footfalls track the actors' movement, but not the speech. Sort of a disembodied feel.
I liked on Toy Story 1 and 2 how Gary Rydstrom added a bit of directionalized dialog to their mixes. Kind of brought me back to the good old, widescreen epic days!
Your thoughts and comments would be very appreciated, and thank you so much for your efforts on behalf of LoA so far. Hopefully, next up would be to be able to add the 65mm trailer and the rest of the excised footage that Lean wanted placed back in. I just hope the latter can be done before it's too late.
Further supervised tweaking of Bridge On The River Kwai, The Sound of Music (the current DVD is awful!), and Vertigo (to name just three) would be wonderful!
Dan