haineshisway
Senior HTF Member
I first saw The Parallax View at a sneak preview at the Village Theater in Westwood. I loved it, actually, despite some weird tonal shifts in the first forty-five minutes. The audience was so-so on it, but when it came out a month later I saw it about six more times. This film has never looked very good on home video - milky contrast that played havoc with Gordon Willis's brilliant and dark photography, and slightly dull and brown color. So, to cut to the chase, this new transfer is spectacular. Perfect color (no, dear Beaver, it has no ubiquitous "blue leaning" and you really ought to retire that silly phrase and then learn about color) and I do mean PERFECT color, and the contrast is amazing. Dark as can be when that's what's called for, but also bright and shiny when that's what's called for (the entire opening sequence, which looked as clean and beautiful as the day I first saw it). Couldn't be happier and I still love the film and the cast and Michael Small's wonderful score.