haineshisway
Senior HTF Member
For anyone who had the pretty awful DVD in the wrong ratio, you are in for a big ol' treat. I thought I'd just be happy to have it in 1.85 no matter what, but this new transfer is something else again. I really doubt this looked this good back in 1959 when I saw it on my twelfth birthday. The color is absolute perfection. It's sharp (save for the opticals, of course, before someone denigrates those shots), and the Cinemagic stuff looks quite good considering how quite weird the process was and is (there's a Wikipedia entry on Cinemagic that explains what it is). Stanley Cortez, the cameraman who gave us The Magnificent Ambersons, The Night of the Hunter, The Three Faces of Eve, and almost Chinatown, not to mention Shock Corridor and The Naked Kiss (and one of the greatest hours of television ever produced - An Unlocked Window on The Alfred Hitchcock Hour), shot this movie, although he's completely undone by Ib Melchior, the director, who wouldn't know an interesting set up if it hit him in the face and who apparently got no help from Mr. Cortez. The Mars stuff is certainly interesting and looks really good in this transfer, but it's just a wacky, low-budget gimmick that grows tiresome after a few minutes.
The script is pretty bad, although very amusing in its badness at times (I borrowed from this film a couple of times for The Creature Wasn't Nice) - the cast gives it what they've got - I've always enjoyed Gerald Mohr, kind of a poor man's Humphrey Bogart - he never really got to A roles, and did lots of television ultimately. He died very young, 54, after his last film appearance, in Funny Girl. Nora Hayden is kind of a stick but pretty in a late 1950s way - she just passed away four years ago, in her 80s. I've always enjoyed Les Tremayne and also like Jack Kruschen.
There's a huge nostalgia factor for fans of Grade-Z sci-fi and this film certainly delivers on it. I'm a fan of any movie that's shot in ten days for $200,000. But the transfer is, IMO, a wowzer.
The script is pretty bad, although very amusing in its badness at times (I borrowed from this film a couple of times for The Creature Wasn't Nice) - the cast gives it what they've got - I've always enjoyed Gerald Mohr, kind of a poor man's Humphrey Bogart - he never really got to A roles, and did lots of television ultimately. He died very young, 54, after his last film appearance, in Funny Girl. Nora Hayden is kind of a stick but pretty in a late 1950s way - she just passed away four years ago, in her 80s. I've always enjoyed Les Tremayne and also like Jack Kruschen.
There's a huge nostalgia factor for fans of Grade-Z sci-fi and this film certainly delivers on it. I'm a fan of any movie that's shot in ten days for $200,000. But the transfer is, IMO, a wowzer.