- Joined
- Feb 8, 1999
- Messages
- 18,421
- Real Name
- Robert Harris
If one were attempting to find a classic film that played more fast and loose with facts and time, Cecil B. DeMille's The Plainsman would be a perfect example.
Based upon a series of real (and unconnected) events, and real people, it's a film that brings them together at the wrong time, involved in the wrong or totally irrelevant events, and with props, ie. guns that don't even fit in the era.
Aww, gee, Bill...
It's Mr. DeMille at his DeMilliest, creating huge set pieces, with likable characters, that after viewing, one can only scratch their heads wondering where the basic storyline came from.
Is it still a fun film?
Yup.
Unfortunately, Kino's new Blu-ray via Universal is not a pretty piece. I have no idea if better film elements survive - it would be a pity if they didn't - but this one is a bit down the dupe line with some of the problem possibly going back to an early lavender. There are a couple of nitrate prints at UCLA, along with a safety dupe. Whether that was the source, I have no idea.
The basic problem is extremely heavy contrast, along with multi-generational grain build-up of the era all built into the preservation element.
The eye does get used to it after a bit, but I wish imagery were far better.
An odd film from many perspectives, and a necessity for collectors as well as Anthony Quinn completists.
Image – 3.25
Audio – 3.5
Pass / Fail – Pass
Upgrade from DVD – Yes
Recommended
RAH
Based upon a series of real (and unconnected) events, and real people, it's a film that brings them together at the wrong time, involved in the wrong or totally irrelevant events, and with props, ie. guns that don't even fit in the era.
Aww, gee, Bill...
It's Mr. DeMille at his DeMilliest, creating huge set pieces, with likable characters, that after viewing, one can only scratch their heads wondering where the basic storyline came from.
Is it still a fun film?
Yup.
Unfortunately, Kino's new Blu-ray via Universal is not a pretty piece. I have no idea if better film elements survive - it would be a pity if they didn't - but this one is a bit down the dupe line with some of the problem possibly going back to an early lavender. There are a couple of nitrate prints at UCLA, along with a safety dupe. Whether that was the source, I have no idea.
The basic problem is extremely heavy contrast, along with multi-generational grain build-up of the era all built into the preservation element.
The eye does get used to it after a bit, but I wish imagery were far better.
An odd film from many perspectives, and a necessity for collectors as well as Anthony Quinn completists.
Image – 3.25
Audio – 3.5
Pass / Fail – Pass
Upgrade from DVD – Yes
Recommended
RAH