KPmusmag
Screenwriter
Wow, interesting photo as Liza dated Desi Jr at one point.
Reality is that it has never looked this good - or highly resolved.Watched this last night. It was a very satisfying experience in every way. So nice to have this finally looking so good!
I remember seeing it in 35mm at MOMA either during the MGM or Minnelli retro and thinking the color was a tad greenish and underwhelming, wishing it had been photographed in three-strip. It never looked anything like this, which is revelatory, way beyond the master for Escape From Fort Bravo. Now I understand why Minnelli liked Ansco color.Reality is that it has never looked this good - or highly resolved.
Properly struck original prints would never had a cyan bent. Sounds as if all that was available to them/survived, was a reject.I remember seeing it in 35mm at MOMA either during the MGM or Minnelli retro and thinking the color was a tad greenish and underwhelming, wishing it had been photographed in three-strip. It never looked anything like this, which is revelatory, way beyond the master for Escape From Fort Bravo. Now I understand why Minnelli liked Ansco color.
Properly struck original prints would never had a cyan bent. Sounds as if all that was available to them/survived, was a reject.
Just a guess but had they not been newlyweds and instead been married for 10-15 years as might have been more age-appropriate, we wouldn't have gotten that hilarious and nerve-wracking first meeting with Desi's In-Laws, him trying to maneuver that long, long trailer into a tight parking space while all of his new family members watched in horror at what happens.I wonder why the couple are playing newlyweds which in my opinion made the actors too old for their roles. I think the characters could have already been married at the start of the picture and decided to live in a trailer because of his job and it wouldn't have changed the story. If they must be newlyweds, make it that they were previously married to others who passed away as it was the 1950's and no one talked about divorce. Lucy was in her early 40's when the film was made.
Glad the film looks so good Wish more could be done to Ansco Color "7 Brides" to look better. I guess popularity plus the 70 MM blowup re release took their toll on the elements of that film.
Yeah. It wasn't wonderful. I think they had trouble getting an archival print. The timing changed from reel to reel, as I recall. But I had never seen it before, so I was pleased.Properly struck original prints would never had a cyan bent. Sounds as if all that was available to them/survived, was a reject.
Lucy seemed to really like to push that age thing and the best one was , apart from "Mame", of course, "Yours, Mine and Ours" (68) where she has a baby at age 57 ! .I wonder why the couple are playing newlyweds which in my opinion made the actors too old for their roles. I think the characters could have already been married at the start of the picture and decided to live in a trailer because of his job and it wouldn't have changed the story. If they must be newlyweds, make it that they were previously married to others who passed away as it was the 1950's and no one talked about divorce. Lucy was in her early 40's when the film was made.
Glad the film looks so good Wish more could be done to Ansco Color "7 Brides" to look better. I guess popularity plus the 70 MM blowup re release took their toll on the elements of that film.
Did she explain why she hated making that film? She's really good in it and should have been pleased with her performance.My favorite Lucille Ball movies are surprisingly not comedies. They are "Five Came Back" and "The Dark Corner". She was on record as saying she hated making "The Dark Corner" but I enjoy the movie even though Clifton Webb is almost playing the same character as he did in "Laura".
I believe Tech was doing both direct positive and dye transfer in 1954. Kodak was already in its second generation of Eastman stock - 5248.You know, sir, that brings up a question I've always had. Did the "print by Technicolor" credit in 1954 automatically mean it was a dye transfer print taken from the Ansco negative or could it also have meant a color positive print? Do we know which types of prints Technicolor would have sent out in February of 54?
It feels too early to have taken advantage of the improvements Kodak made to the resolution in Technicolor's matrix stock, in which case would any dye transfer prints have been quite soft?
The word “Technicolor” or “in Technicolor” would denote dye transfer, while “Print by” would mean direct positive.
She didn't get along with the director Henry Hathaway.Did she explain why she hated making that film? She's really good in it and should have pleased with her performance.
Not everyone is an avid reader of HTF and could have simply google searched a review of TLLT.Looks like RAH hooked a few again. You guys really think that RAH didn’t know when their TV series started.
She didn't get along with the director Henry Hathaway.
From a Lucie Arnaz intro on the 2016 TCM Cruise