- Joined
- Feb 8, 1999
- Messages
- 17,425
- Real Name
- Robert Harris
I'm a huge John Ford fan. Always have been.
From a technical perspective, he's one of a tiny number of filmmakers to work in every format that I can think of.
His 1955 CinemaScope, Eastman Color The Long Gray line was Columbia's first foray into Cinemascope. The studio released eight film in the format in 1955 (none earlier).
In 1953, Mr. Ford took over for John Farrow to direct the final scenes for Hondo - Eastman Color and 3-D.
On his CV, were films in black and white, 1.33 silent, 1.37, three-strip Technicolor, the just noted CinemaScope, VistaVision, Cinerama and 70mm.
What other filmmakers represent all of those attributes?
As a film, it has the purity of that great Ford nostalgia, with Tyrone Power and Maureen O'Hara in the leads.
I love the film. Had an original 35 dye transfer print in magnetic stereo (now at AMPAS), and which served as reference for this Blu-ray.
And I've been waiting patiently for someone - anyone - to license it and bring it out domestically. But no luck.
So I finally broke down and imported the Powerhouse / Indicator set, which also offers The Last Hurrah, Gideon's Day aka Gideon of Scotland Yard (in color), and The Whole Town's Talking.
I'm thrilled with the presentation- color, grain structure, black levels all in place, and equally as thrilled to have this film on Blu-ray.
Now it's safe for some entity to license it domestically.
Image – 5
Audio – 5 (3-track stereo)
Pass / Fail – Pass
Upgrade from DVD - Absolutely
Up-rez to 4k - Beautiful
Highly Recommended
RAH
From a technical perspective, he's one of a tiny number of filmmakers to work in every format that I can think of.
His 1955 CinemaScope, Eastman Color The Long Gray line was Columbia's first foray into Cinemascope. The studio released eight film in the format in 1955 (none earlier).
In 1953, Mr. Ford took over for John Farrow to direct the final scenes for Hondo - Eastman Color and 3-D.
On his CV, were films in black and white, 1.33 silent, 1.37, three-strip Technicolor, the just noted CinemaScope, VistaVision, Cinerama and 70mm.
What other filmmakers represent all of those attributes?
As a film, it has the purity of that great Ford nostalgia, with Tyrone Power and Maureen O'Hara in the leads.
I love the film. Had an original 35 dye transfer print in magnetic stereo (now at AMPAS), and which served as reference for this Blu-ray.
And I've been waiting patiently for someone - anyone - to license it and bring it out domestically. But no luck.
So I finally broke down and imported the Powerhouse / Indicator set, which also offers The Last Hurrah, Gideon's Day aka Gideon of Scotland Yard (in color), and The Whole Town's Talking.
I'm thrilled with the presentation- color, grain structure, black levels all in place, and equally as thrilled to have this film on Blu-ray.
Now it's safe for some entity to license it domestically.
Image – 5
Audio – 5 (3-track stereo)
Pass / Fail – Pass
Upgrade from DVD - Absolutely
Up-rez to 4k - Beautiful
Highly Recommended
RAH