- Joined
- Feb 8, 1999
- Messages
- 18,397
- Real Name
- Robert Harris
I’ve seen The Godfather Part III dozens of times, and am now far more satisfied than with earlier screenings.
Re-imagined from beginning to end, with over sixty changes, both large and small, to image as well as audio, Coda is in many ways akin to seeing the film anew.
When my team was creating the Director’s cut of Part III, I found the printer functions (fades and dissolves) in the film extremely distracting.
So much so, that I searched out the original material used to produce the dupes cut into the original negative, and for the most egregious scanned the originals and cut them into the new data.
The problem at the time was that I had neither the time nor budget bring all of the dupes up to full quality.
This has now been done, and the film looks amazing because of it.
GFIII was shot S35, which means that the entire film was an optical down to standard 1.85. Returning to the S35 material, now with all new printer functions (and there are many) is a wonderful new experience...
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