- Joined
- Feb 8, 1999
- Messages
- 17,838
- Real Name
- Robert Harris
The Fifth Element, one of two Luc Besson films, recently released by Columbia / Sony in 4k UHD (the other is Leon: The Professional), is another telling example of precisely what 4k presentations can achieve.
While both productions were shot on film -- Leon in 35/4 scope, and Fifth in S35 -- they're very different, as Fifth is layered with dupes, because of effects.
And while Leon has a constantly, highly resolved image, Fifth drops obviously in resolution whenever we cut to an effects shot or sequence, precisely as it did in theaters in 1992, only now more obvious in 4k digital.
As to Fifth, itself, I'm not sure what to think of it. It's an interesting film, if for no other reason than its continuous audacity. If I could only take one to a desert island, it would be Leon.
As a 4k Blu-ray disc, along with the addition of HDR, it's about as good as anything that we'll get.
Along with Leon, both films had SDDS sound tracks, so the addition of Dolby Atmos would seem a slam dunk.
Image - 5
Audio - 5 (Dolby Atmos)
Pass / Fail - Pass
Recommended
RAH
While both productions were shot on film -- Leon in 35/4 scope, and Fifth in S35 -- they're very different, as Fifth is layered with dupes, because of effects.
And while Leon has a constantly, highly resolved image, Fifth drops obviously in resolution whenever we cut to an effects shot or sequence, precisely as it did in theaters in 1992, only now more obvious in 4k digital.
As to Fifth, itself, I'm not sure what to think of it. It's an interesting film, if for no other reason than its continuous audacity. If I could only take one to a desert island, it would be Leon.
As a 4k Blu-ray disc, along with the addition of HDR, it's about as good as anything that we'll get.
Along with Leon, both films had SDDS sound tracks, so the addition of Dolby Atmos would seem a slam dunk.
Image - 5
Audio - 5 (Dolby Atmos)
Pass / Fail - Pass
Recommended
RAH