- Joined
- Feb 8, 1999
- Messages
- 18,416
- Real Name
- Robert Harris
The Broadway Melody series began in the early sound era, with the first released by M-G-M in February of 1929. There were both silent as well as sound versions.
Nominated in three categories, it won Best Picture of 1930.
By 1935, with Broadway Melody of 1936, it had morphed into an Eleanor Powell film, supported by Jack Benny and Robert Taylor, and was followed by Broadway Melody of 1938 (Robert Taylor, George Murphy, Binnie Barnes, Buddy Ebson, Sophie Tucker and Judy Garland).
The final film in the series was Broadway Melody of 1940, which added Fred Astaire to the mix, and was released eleven years after the first. Another new name was one Cole Porter, a writer of music, who also had his first credit in film in 1929.
Some of the finest film editors have always been women, and here you'll find the name of Blanche Sewell, and M-G-M cutter.
Most will not know the name, but you've seen her work.
Ms Sewell cut the 1936 and 1938 films. She began in the silent era, but might be better known for a few later productions. Here's a short list:
Red-Headed Woman (1932)
Grand Hotel (1932)
Red Dust (1932)
Queen Christina (1933)
Treasure Island (1934)
Born to Dance (1936)
Yellow Jack (1938)
The Wizard of Oz (1939)
Boom Town (1940)
Ziegfeld Girl (1941)
Bathing Beauty (1944)
The Pirate (1948)
But most readers will want to know what this Warner Archive release looks and sounds like.
In a word, beautiful.
Not perfect to my eye, but to the rest of the world, beautiful.
A clean, stable, nicely rendered image, with only the tiniest of problems.
A bit of magnetic grain due to digital clean-up, and a bit of missing air in the blacks.
Will anyone care?
Not a all.
A wonderful film, finally receiving a proper release on Blu-ray.
Image – 4.9
Audio – 5
Pass / Fail – Pass
Upgrade from DVD – Yes
Highly Recommended
RAH
Nominated in three categories, it won Best Picture of 1930.
By 1935, with Broadway Melody of 1936, it had morphed into an Eleanor Powell film, supported by Jack Benny and Robert Taylor, and was followed by Broadway Melody of 1938 (Robert Taylor, George Murphy, Binnie Barnes, Buddy Ebson, Sophie Tucker and Judy Garland).
The final film in the series was Broadway Melody of 1940, which added Fred Astaire to the mix, and was released eleven years after the first. Another new name was one Cole Porter, a writer of music, who also had his first credit in film in 1929.
Some of the finest film editors have always been women, and here you'll find the name of Blanche Sewell, and M-G-M cutter.
Most will not know the name, but you've seen her work.
Ms Sewell cut the 1936 and 1938 films. She began in the silent era, but might be better known for a few later productions. Here's a short list:
Red-Headed Woman (1932)
Grand Hotel (1932)
Red Dust (1932)
Queen Christina (1933)
Treasure Island (1934)
Born to Dance (1936)
Yellow Jack (1938)
The Wizard of Oz (1939)
Boom Town (1940)
Ziegfeld Girl (1941)
Bathing Beauty (1944)
The Pirate (1948)
But most readers will want to know what this Warner Archive release looks and sounds like.
In a word, beautiful.
Not perfect to my eye, but to the rest of the world, beautiful.
A clean, stable, nicely rendered image, with only the tiniest of problems.
A bit of magnetic grain due to digital clean-up, and a bit of missing air in the blacks.
Will anyone care?
Not a all.
A wonderful film, finally receiving a proper release on Blu-ray.
Image – 4.9
Audio – 5
Pass / Fail – Pass
Upgrade from DVD – Yes
Highly Recommended
RAH