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- Feb 8, 1999
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- Robert Harris
There is nothing 4k about this film. It’s a dupe of a 75 year-old film.Maybe a 4K release might encourage that but I think WB wont revisit maybe if Goldwyn gets back the films
There is nothing 4k about this film. It’s a dupe of a 75 year-old film.Maybe a 4K release might encourage that but I think WB wont revisit maybe if Goldwyn gets back the films
On the other forum someone this one has been been restored 4KThere is nothing 4k about this film. It’s a dupe of a 75 year-old film.
What a truly timeless film. And that monumental music score by Hugo Friedhofer. Won an Oscar for him, which was richly deserved.Tonight on TCM they are broadcasting the world premiere of the 2021 restoration of the film done by Academy Film Archive, Library of Congress and The Film Foundation. I pulled out my 2013 Blu-ray and did a quick comparison of a few scenes and the new restoration is a big improvement with a cleaner brighter image. Looks very nice since and have seen the film a dozen times and more and will look forward when it is released on disc.
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“If”Tonight on TCM they are broadcasting the world premiere of the 2021 restoration of the film done by Academy Film Archive, Library of Congress and The Film Foundation. I pulled out my 2013 Blu-ray and did a quick comparison of a few scenes and the new restoration is a big improvement with a cleaner brighter image. Looks very nice since and have seen the film a dozen times and more and will look forward when it is released on disc.
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Yes, and don’t forget Hugo Friedhofer’s magnificent music score, which empowers the scene.I'm always astounded by the audio design in the sequence in the nose of the plane in the junkyard sequence. Just magnificent.
RAH
You negative comments are yours alone; and I do mean alone!I never liked this film. I call it “the boring years of our lives.”
But, the performances are good… especially Russell.
But if It is released again with a new transfer, I’ll get it.
I dare not ask about Mrs. Miniver.I never liked this film. I call it “the boring years of our lives.”
We can thank Hugo Friedhofer’s Oscar-winning music score for enhancing the film in so many scenes.I knew about this restoration since it was announced in 2021 when it was shown at L'immagine ritrovata in Bologna. I watched the film again via TCM live West Coast. I can't help but say that this is one the greatest US films ever made, and it's Wyler's best, pace Ben-Hur.
The film is filled with so many subtle grace notes and extraordinary performances! And I'm moved to tears by so many sequences! I just don't tire of re-watching this 170-minute film that goes by in an instant, much like today's Oppenheimer, and unlike Killers of the Flower Moon.
My first viewing was at the Regency in NYC, a beautiful 35mm print (don't know the vintage). Watching it in the big screen was overwhelming, particularly the justly famous sequence at the airplane junkyard. A masterpiece of scoring, camera movement, editing and acting, and the fitting climax to the film. The final sequence plays like a coda in a well-structured symphony. There are no false notes in this film.
Still relevant after all these years.
"The War of the Roses".I dare not ask about Mrs. Miniver.
What "negative" comments?Yes, and don’t forget Hugo Friedhofer’s magnificent music score, which empowers the scene.
You negative comments are yours alone; and I do mean alone!
If you are too dense to know I’m not about to fill you in.What "negative" comments?
We don’t allow such insults here. On your return, please, adjust your posting behavior towards other HTF members without being overly aggressive, insulting and just plain rude towards others you disagree with. We try to maintain a respectful and courteous community on the HTF. Some of your recent comments towards other people doesn’t meet that criteria.If you are too dense to know I’m not about to fill you in.
Surprised somebody would steal a large amount of prints and to be sold but i guess that's Hollywood. Happy to see The Best Years of Our Lives looking a little better.A general note regarding the Goldwyn library, and why some films have archival problems.
Some years ago, a large number of Goldwyn protection FGMs and studio reference prints were stolen and sold to a collector. That collector sold his entire library of what he presumed were prints, to a university. I recall receiving a call from the gentleman asking why numerous Goldwyn titles looked murky and sounded bad in projection, and were in single 1000’ units.
A number of years later, the entire collection moved to another institution.
Fortunately, it now resides within the walls of an archive. But it’s still stolen goods.
I made the owners aware of this a number of years ago, before it was purchased and went to the archive.
No one cared to do anything about it.
An interesting mindset.