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- Robert Harris
You’re seeing more than was visible on original prints.I'm halfway through Dr. No. Straining to see much additional information, but I am seeing the best I've ever seen it look.
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You’re seeing more than was visible on original prints.I'm halfway through Dr. No. Straining to see much additional information, but I am seeing the best I've ever seen it look.
A simple point that seems to be incapable of being grasped in some quarters. These 4K remasters are by definition not "accurate" to how they originally looked. They look better.You’re seeing more than was visible on original prints.
In that case, I wish you luck grabbing the UHD set while you can.I'm grabbing this
Can't read about it this release anymore.
Must own.
Ye Olde "What was the OAR on the first three Bonds" debate strikes again (FTR Dr. No, FRWL, and Goldfinger were shot hardmatted at 1.66:1).I haven't read everything in this thread yet, but I haven't noticed anyone pointing out that the first 3 Bond movies are now in something that looks like 1.75:1 as opposed to the 1.66:1 of the original blu-rays.
(FTR Dr. No, FRWL, and Goldfinger were shot hardmatted at 1.66:1).
Which means that they had to be further (minimally) cropped in projection.Ye Olde "What was the OAR on the first three Bonds" debate strikes again (FTR Dr. No, FRWL, and Goldfinger were shot hardmatted at 1.66:1).
1.75:1 is what Criterion went with for their laserdiscs. However there is quite a lot of old web forum posts claiming they were wrong to do this and they should be 1.66. Its like the inversion of Summertime.Which means that they had to be further (minimally) cropped in projection.
1.75 sounds correct, and allows more image area than 1.85.
A bit different as the Bond films were neither shot nor printed open matte. Viewing Summertime at 1.37 vs matted provide different experiences.1.75:1 is what Criterion went with for their laserdiscs. However there is quite a lot of old web forum posts claiming they were wrong to do this and they should be 1.66. Its like the inversion of Summertime.
As these were shot Hard Matte, correct?A bit different as the Bond films were neither shot nor printed open matte.
As I recall the matte was around 1.66. I have a few frames somewhere, and will see if I can post.As these were shot Hard Matte, correct?
I was about to say the same thing about the ratio treatment.I’ve seen a print of Dr. No that was partially hard matted to something like 1.5 for some shots (didn’t appear to be fully 1.66 but I didn’t take out my slide rule) while other shots weren’t matted at all. But as I don’t know the provenance of the print, it’s not really evidence of anything other than itself.
OK, if I get it, I’ll tell you, but I can already kind of guessIn that case, I wish you luck grabbing the UHD set while you can.
Bonus points if word can be spread about findings of the titles with the Lossless Mono mixes sound better than the previous Home Video Editions.
I believe some of us collectors are currently interested to hear a report (as we wait for other persons to fill us in) on the situation of this "Analog (VHS/LD) vs. Digital (DVD/BD and UHD) Audio Mix Band Wagon"
Thank you![]()
In the meantime we also have "Moshrom" as our Plan B in case the person want to save some dough.OK, if I get it, I’ll tell you, but I can already kind of guess
If you wanna listen to it in Dolby Atmos, I hear that’s pretty good and it’s probably cleaned up
If you wanna listen to it as it was, I would imagine there’s a lot of crackles and Vinyl sounding pops.
But I’ll fill you in when I hear.
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Well, I wanna save money. That’s why I’m not buying this thing but, they got me because they put all the Sean Connery in one set.In the meantime we also have "Moshrom" as our Plan B in case the person want to save some dough.
Nonetheless, Good Luck![]()