- Joined
- Feb 8, 1999
- Messages
- 18,419
- Real Name
- Robert Harris
As I probably won't get through Universal's Classic Monsters 2 in 4k UHD on a timely basis, I thought it best to post thoughts as I'm able.
Sampling the new 4k of Phantom of the Opera, my mind immediately went to the 1935 Becky Sharp, as directed by Rouben Mamoulian, and photographed by Ray Rennahan in the then new three-strip Technicolor process.
Eight years later, W. Howard Greene and Hal Mohr took a similar stance to Mr. Rennahan's with their startlingly red costumes, which virtually burst off the screen in proper Technicolor fashion.
Very much akin to what Warner Archive has been doing recently with their three-strip restorations, Universal presents their big budget 1943 Tech production with full respect. It was one of only three by the studio that year - the other two being White Savage and Cobra Woman.
This new 4k restoration surpasses everything that has been seen on home video for the film, presenting it very much like it might have appeared in contemporary 35mm prints.
Colors are meticulously rendered, black levels and gray scale are beautiful, and the grain structure - properly detrained - appears akin to that of the way the original dyes might have been imbibed, thereby diminishing the exceedingly grainy textures of three-strip when improperly rendered to 4k UHD.
While it's a very good film, it's never a great one, and certainly not up to the frights offered by the 1925 original. One might consider it a combination of horror with more than a bit of musical.
For both the uninitiated as well as those steeped in the lore of three-strip, this release gets you very close to the original concept.
Image – 5 (HDR10)
Audio – 5 (DTS-HD MA 2.0 Monuaral)
Pass / Fail – Pass
Plays nicely with projectors - Yes
Upgrade from Blu-ray - Yes
Makes use of and works well in 4k - 4
Highly Recommended
RAH
Sampling the new 4k of Phantom of the Opera, my mind immediately went to the 1935 Becky Sharp, as directed by Rouben Mamoulian, and photographed by Ray Rennahan in the then new three-strip Technicolor process.
Eight years later, W. Howard Greene and Hal Mohr took a similar stance to Mr. Rennahan's with their startlingly red costumes, which virtually burst off the screen in proper Technicolor fashion.
Very much akin to what Warner Archive has been doing recently with their three-strip restorations, Universal presents their big budget 1943 Tech production with full respect. It was one of only three by the studio that year - the other two being White Savage and Cobra Woman.
This new 4k restoration surpasses everything that has been seen on home video for the film, presenting it very much like it might have appeared in contemporary 35mm prints.
Colors are meticulously rendered, black levels and gray scale are beautiful, and the grain structure - properly detrained - appears akin to that of the way the original dyes might have been imbibed, thereby diminishing the exceedingly grainy textures of three-strip when improperly rendered to 4k UHD.
While it's a very good film, it's never a great one, and certainly not up to the frights offered by the 1925 original. One might consider it a combination of horror with more than a bit of musical.
For both the uninitiated as well as those steeped in the lore of three-strip, this release gets you very close to the original concept.
Image – 5 (HDR10)
Audio – 5 (DTS-HD MA 2.0 Monuaral)
Pass / Fail – Pass
Plays nicely with projectors - Yes
Upgrade from Blu-ray - Yes
Makes use of and works well in 4k - 4
Highly Recommended
RAH