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Winston T. Boogie

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OK, I watched this on Friday night and well, yes, the presentation is fantastic. It looked and sounded wonderful, no question. If you have an interest in this kind of film, then this is a must own. I loved it. It is a giant production and looks like they put everything they had into it. I love this kind of outdoor adventure film and this one is pretty great.

I would think this would have been a stunning picture at the time it was released. I've not gone back to look at the history of it. I think I may have seen this once on TV back in the 1970s but I did not have much recall of it outside of the rangers running around the forest in green suits. It definitely would have been appealing to me as a boy, it is a giant boy's adventure kind of tale.

OK, I will say a few things about this that stood out to me on this watch beyond how wonderful it looked.

First, this is a pretty intense film. The violence and the subject matter seemed pretty hardcore. Expanding a country was a bloody business and this dives into that idea with both feet. It does not shy away from the fact that a lot of killing is going to happen and that these guys want to kill some people. I do think were it made today, Roger's Rangers would probably be portrayed as a bit evil. Essentially, these guys are like the gang that rampages through the west in Cormac McCarthy's Blood Meridian but here they are portrayed as straight heroes and men to be admired. That's a myth that McCarthy explodes in his novel, albeit with a bit of supernatural seasoning.

I am not judging the film nor the storytelling here, as I am old enough to realize what the goals of the film were, mainly to give us an adventure yarn with a star like Spencer Tracy in the lead. Tracy's character though gives some speeches, as do other characters, that would make some people cringe today. At one point he lists off a bunch of Native American tribes that he basically intends to slaughter and does so with a smile. At another he reports that he has basically wiped out a tribe, what would be genocide, and everybody celebrates this.

Context is everything, but I would imagine that there would be people today that find this film truly evil. It's not, but if they put it in a certain context, they could say it was. I think you have to look at the film based on when it was made and what they were trying to do.

Yes, Native Americans are portrayed in just a handful of ways, drunk, not to be trusted, servants of the white man, people to be slaughtered or dead. A few speeches portray them as vicious barbarians or people you need to keep your thumb on. Having seen many westerns get totally trashed for how they portray Native Americans, well, I would say this film would totally enrage some people.

There is a ranger character in this film that gets consumed with blood lust and goes off his rocker. It is pretty dark stuff. I won't explain what he does but it is gruesome. I am not sure how audiences would have seen this back when the film was released but watching it now, I was reminded of Blood Meridian. Other films did explore the blood lust idea or men that do a lot of killing going kill crazy. So, this is not the only intense older film. I would put this in the category of films like The Last Hunt (1956) and The Man from Colorado (1948) that also get intense when delving into the idea of men going kill crazy. I feel like these all must have been films Cormac McCarthy saw.

Needless to say, watching those three westerns as a triple feature would be a very violent and dark look at the growth of this country.

It was also kind of funny that when and where this film ends, it is like a modern day blockbuster, meaning it sets up a sequel. This is because, as Mr. Harris noted, while this film is called Northwest Passage, all it does is set-up the idea that they will look for a Northwest Passage. It kind of is Costner's Horizon, a film setting up more story. So, when this ends, I was sitting there thinking, now I have to go find the next film.

I could talk quite a bit about this film, I found it fascinating in a variety of ways. I looked at it as a massive entertainment from the, well, now distant past. I believe because some people were hard on Costner's Horizon for how the Native Americans were portrayed, there is no way in hell they would sit through this. I mean characters talking gleefully about slaughtering them and Tracy's character several times sort of mocking and teaching Robert Young's character that Indians are not to be painted (Young's character was setting out to create paintings of Native Americans as he was an artist) they are to be slaughtered was...well...the kind of thing that would enrage a modern audience.

Plus, Young's character by the end of the picture has this glowing vision of what a great man Tracy's Major Rogers is that he looks at him like a god. I thought "Oh my, would this turn people purple with rage."

So, this really is a beautifully made and fun older production. It is wonderfully filmed, has good acting, fantastic sets, and a story of men rampaging through the wilderness. However, yes, it is done in such a way that the portrayal of the rangers against the portrayal of the Native Americans is not what people now would find acceptable.

Personally, watching it now, I did not look at Major Rogers as a "hero" but rather as a guy that was doing some questionable things because he thought they needed to be done. Yeah, I do understand how people would feel what goes on here is gross and offensive and yes, I think people that would feel that way should not watch this film.

I don't think that watching it and enjoying it means you agree with what the characters in the film do, it can be enjoyed for what it is, a big old school Hollywood entertainment with a lot of flawed characters with some very violent stuff swirling around in their heads. It could be seen as a lesson on how much times have changed, which is not a bad thing.
 
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Capt D McMars

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So Spencer Tracy hasn't made a movie for 60 years? Being dead might have something to do do with it.
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Winston T. Boogie

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I probably should not have referred to this film as a "western" as this is set in the Northeast and takes place before the expansion west. So, saying it is a "western" is probably incorrect wouldn't you say?
 

jim_falconer

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Tracy was a wrong choice for the lead of this film, in my opinion. His speeches to the men come across as stiff and unrealistic .
 

Winston T. Boogie

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Tracy was a wrong choice for the lead of this film, in my opinion. His speeches to the men come across as stiff and unrealistic .

I understand what you are saying and I know what you mean about his delivery. Not sure I would say he was the wrong choice, they obviously wanted someone like him to play the part. I think his delivery is sort of the style of that time when it came to acting. I say that because in other older films I have seen speeches, particularly speeches meant to show a leader inspiring his men, given in a similar way.

Oddly, there was a funny line he delivers in the film that struck me much more than the speeches. It was early in the film when Major Rogers is trying to get the drunk Indian scout to go back with him to the fort. It is the scene where Young's character first encounters Rogers.

Someone had kept telling me I had to watch a documentary about this guy Scotty Bowers and I finally did just a few weeks ago. Bowers, which probably most people know now (he wrote a book and this documentary had come out) was a guy that provided sexual services to the stars from the 1940s to the 1980s. Anyway, Spencer Tracy was one of his clients, and he discussed that Tracy was a closeted gay man, pretended to be involved with Kathrine Hepburn (who was actually a lesbian so they were each bearding for the other) and so this was fresh in my mind when I was watching this film.

For the most part, this had no real impact on watching Northwest Passage, except for the scene I mention above. In it Tracy gets all the men singing and drinking to coax the scout to go back to the fort. It works, and the scout gets up drunkenly and gets very close to Taylor and expresses his affection for him, at which point Tracy says "Don't worry, he won't kiss you, we haven't taught them that yet." with a smile.

I laughed out loud. It is meant to be funny but it took on a whole new context after seeing the Bowers documentary, which is kind of why I did not want to see the Bowers documentary, because knowing about the actor's personal life can put a different spin on things they do in a movie.

I don't think the scene is meant to be a funny comment on Tracy's sexual preferences but if you know them it makes the scene play in a different way. So, it becomes a weird unintended funny moment.
 

Winston T. Boogie

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What makes you think Bowers stuff was actually truthful. It cracks me up how easily people accept gossip about dead individuals that can’t dispute it.

Well, I did not read his book, I mostly don't have much interest in this kind of stuff and I will say that it is my opinion that the less we learn about actors the better and easier it is to accept them as a sort of blank slate in a role. If you know about their personal lives that can impact how you see them in a part. I think that is one part of why "movie stars" don't really exist anymore today, we just know too much about them due to social media, and so we know all about everybody's personal lives. Everybody now just wants to tell you all about their personal life, sex life, preferences...it all is like a badge of honor now.

If you have seen the documentary, there is a lot of corroborating evidence including witnesses. Bowers himself comes across as honest, nonjudgmental, and a well-liked guy. I mean could he and all these people be lying? Sure, but it seems they likely are not.

I mean, what these people did in their personal lives is just that, personal, so I don't hold it against anybody. I don't like Spencer Tracy less as an actor or anything. I just found that scene funny in a way I would not have found it funny because I saw the documentary.

I know some people were unhappy that Bowers put it all out there and yes, the people he discusses can't respond because they have passed, but that was part of why he waited so long, he did not want to talk about it until these people were gone and I guess in this new atmosphere where people no longer have to live in the closet.

The documentary is alright. It is a sort of interesting look at old Hollywood. I was not shocked or surprised by it, as my friend was, but it did in the instance I noted above, change the way I saw a scene in a film.
 

Winston T. Boogie

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The dude was a pimp, not exactly an honest profession. I don't know if I even call it a documentary and I'll leave it at that because this review thread doesn't need to be taken off-topic.

Yeah, I mean, I am not trying to take the thread off topic, I loved this film and the Blu-ray presentation is awesome. I was just trying to discuss some aspects of the film itself and observations I made. Basically, when I saw the Scotty Bowers documentary I looked it up here to see if there was discussion of it, there was not, and I only mentioned it because I saw it recently streaming and Spencer Tracy was part of it, and of course he is in this film. I would say any in depth conversation about Bowers and what he was up to should probably have a separate thread because there is a film about that out there.

I only brought it up because having seen it, the teaching the Indians to kiss scene definitely played in a way that added comedy to it. I would leave it to others to speculate if Tracy knew that or thought it was amusing himself.
 

Robin9

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. . . . . . . I know some people were unhappy that Bowers put it all out there and yes, the people he discusses can't respond because they have passed, but that was part of why he waited so long, he did not want to talk about it until these people were gone and I guess in this new atmosphere where people no longer have to live in the closet. . . . . . .
An alternative interpretation is that he - and people like him - wait until those he mentions have died so that they can neither contradict him nor sue him for every thing he owns.
 

Will Krupp

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An alternative interpretation is that he - and people like him - wait until those he mentions have died so that they can neither contradict him nor sue him for every thing he owns.
I'd say (in this case) it was likely his ghostwriter. The main issue with the Tracy/Hepburn story is that the book claims it was a cover to hide their true nature (and penchant for gay hookers of both sexes.) The main problem with that (and this is something a much younger ghostwriter may not have realized) is the Tracy/Hepburn romance was a complete secret outside of Hollywood. No one in the press talked about it and the general public had no idea. If they were using it as a cover, they didn't get their money's worth. Tracy was a married man, why wouldn't he just use that as his cover if he needed one?

Bowers got some bad advice and allowed a salacious 'everything but the kitchen sink' approach to overwhelm whatever truth may have been in his story. As it stands, I think the book is dishonest crap. You can't libel the dead.
 

Robin9

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The main issue with the Tracy/Hepburn story is that the book claims it was a cover to hide their true nature (and penchant for gay hookers of both sexes.) The main problem with that (and this is something a much younger ghostwriter may not have realized) is the Tracy/Hepburn romance was a complete secret outside of Hollywood. No one in the press talked about it and the general public had no idea. If they were using it as a cover, they didn't get their money's worth. Tracy was a married man, why wouldn't he just use that as his cover if he needed one?
That's a very good point. Thanks for mentioning it.
 

RPMay

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A few comments about NORTHWEST PASSAGE.
The original 3 strip negatives were not held by Warner Bros. They were part of the Turner acquisition when they took over the MGM library. The MGM nitrate negatives had been deposited at George Eastman House in the mid 1970s.
I was involved in preservation of almost all of the Technicolor features during the 1986-95 period, and this was one of the films involved. I don't remember what lab did the recombination of the 3-strip negatives to modern Kodak interpositive, but yes, it was a beautiful job.

Richard May - ex VP film preservation, Turner Entertainment Co.
 

Robert Harris

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The IP being discussed was used c. 2011 for the DVD. Those who had/have the DVD can make their own judgments.

Further, an Eastman Color IP derived from three-strip negatives is not a preservation element, it's a transfer / pre-print dupe element.

Preservation elements would be masters derived from the three negatives.

I'm not suggesting that the IP didn't have some use, but it had nothing to do with preservation. It was stop-gap.

The new 4k master is fully derived from the original Nitrate negatives.

Just trying to be clear in discussions.
 
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Conrad_SSS

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The recent Northwest Passage Blu-ray is gorgeous, as have been all the recent Technicolor releases from Warner Archives. The old DVD was a muddy affair, and frequently out of registration.
 

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